Liyan and Yuwen live in post-war torpor, childless but with Liyan’s school-aged sister. He coughs, imagining he has TB; Yuwan embroiders; they sleep in separate rooms. A surprise visit from Liyan’s boyhood friend Zhang, a big city physician, wakes up the household. To Zhang’s amazement, he discovers his friend’s wife is his own youthful sweetheart. Possibilities abound: an affair, an arranged marriage of Zhang and Little Sister, now 16, or simply ending ennui and embracing vitality. Can a stifling atmosphere of Chinese Chekhov give way to spring? Alcohol at a birthday party speeds resolution. —IMDb
Tian began as an amateur photographer and as an AC at the Beijing Agricultural Film Studio. He graduated from the Beijing Film Academy in 1982, together with a cohort of Fifth Generation directors which included Chen Kaige and Zhang Yimou. One of Tian’s most renowned works is The Horse Thief: like many of his early works, it is about ethnic minorities in China, and American director Martin Scorsese named it as his favorite film of the 1980s. Tian’s work has also drawn fire from the Chinese government, especially The Blue Kite, a film about the adverse effects of Communist rule: the Hundred Flowers Movement, the Great Leap Forward and especially the Cultural Revolution. Footage of The Blue Kite was smuggled out of the country; Tian has denied complicity in the act. After a hiatus of some nine years, he returned with a critically acclaimed remake of Fei Mu’s famous film Spring in a Small Town (1948), often referred to in English as Springtime in a Small Town (2002) to differentiate it… read more
Possibly the greatest remake I've ever seen. If it wasn't for my personal attachment towards the original (and its impossible/unreachable standard for any film to reach) I'd have rated this one higher.
I never saw the original but i think this is a great film. The story is well placed, it moves slowly but deliberately.