Gregorio and Ingrid are the two greatest secret agents the world has ever known: masters of disguise, mavens of invention, able to stop wars before they even start. Working for separate countries, they are sent to eliminate their most dangerous enemy…each other. But in an exotic corner of the world when they finally come face to face, they fall in love instead and embark on the most dangerous mission they have ever faced: raising a family. Now nine years later, after their retirement, having exchanged the adventure of espionage for parenthood, Gregorio and Ingrid Cortez are called back in to action. When their former colleagues, the world’s most formidable spies, start disappearing one by one, the Cortez’s are forced to take on techno-wizard Fegan Floop and his evil, egg-headed sidekick, Minion. But when the unthinkable happens and they too disappear, unfortunately there are only two people in the world who can rescue them…their kids. —IMDB.com
The man behind some of the most innovative, creative, and visually inventive action films of the late ‘90s and early 2000s, director Robert Rodriguez is the epitome of the do-it-yourself attitude and a renaissance man of cinema. Directing, shooting, and editing nearly every one of his films, Rodriguez’s energetic and self-immersing approach to filmmaking has resulted in some of the most stylish and exciting action films in modern cinema.
Born June 20, 1968 into a large family that included ten siblings, Rodriguez was never lacking in inspiration due to the antics of his brothers and sisters and became fascinated with cartooning and filmmaking at an early age. Prompted to jump behind the camera after becoming enamored by John Carpenter’s Escape From New York at age 12, the fledgling director’s brothers and sisters served as a capable cast and crew, and with his father’s Super-8 camera in hand, Rodriguez took his first steps toward auteurhood. Shocked by the cost of developing… read more
When I was younger, I remember liking this (though enjoying the second much more). When re-watching it again recently, it doesn't hold up well. It's condescending, it yaks and wise-cracks too much, it's loud and weird and it's the beginning of a quadrilogy of one and a half at least decent movies.
This was the first Robert Rodriguez movie I ever saw. I thought it was cool when I first saw it, but now I recognize it as a bad movie. I just don't understand why Rodriguez feels the need to make awful garbage like Spy Kids, Shorts, and all that other garbage when he is capable of making cinematic awesome like Sin City and Planet Terror.