The strongest thing about Errol Morris’ documentary is how it doesn’t concern itself with politics, but focuses on the personal stories of those actually involved in the Abu Ghraib prison scandal. As usual, Morris brings the story alive with extraordinary visual imagery, complete with lyrical slow-motion shots and stunning cinematography by Robert Richardson. Unfortunately, without any kind of strong central focus, it starts to drag pretty quickly and soon becomes overlong and repetitive. Interesting, but not one of Morris’ better films. Excellent score by Danny Elfman.