Stuart Baird began his long and distinguished career as the personal assistant to director Lindsay Anderson on “If…”, the 1968 drama of a group of boarding school students who may or may not be planning to overtake the educational institution. He segued to jobs as assistant director and assistant editor until he finally got a chance to cut his first feature, Ken Russell’s wildly energetic screen musical “Tommy” (1975), based on Pete Townsend’s rock opera performed by the Who. Baird’s work also greatly enhanced Russell’s “Lisztomania” (also 1975), a kinetic pseudo-biography of the famed composer. Demonstrating an ability to wring tension from fairly mundane situations, he cut “The Omen” (1976), effecting creating a rising tension as the devil child comes into his powers. For his meticulous efforts on “Superman” (1978), Baird earned an Academy Award nomination.
For 1980’s “Altered States”, Russell’s troubled screen version of Paddy Chayefsky’s sci-fi novel, Baird abandoned the… read more
Espelhos. Você vê sua imagem de 30 anos atrás refletida. Os mesmos olhos, o mesmo sangue. Porém, todo o bem que você disseminou nesses 30 anos, seu reflexo quer transformar em maldade. Tudo o que você construiu, ele quer destruir. Você conseguiria se encarar nessas condições? Uma despedida em grande estilo da Nova Geração. Nota: B+
Released in 1983 or even 1993, this would have probably been one of the best Star Trek movies. But even an impressive Tom Hardy and overall stunning production can't hide the dust on the plot lines, the "twists" and other anachronistic elements. After Insurection, it's still a satisfactory end to TNG.