Brennan Huff and Dale Doback are both about 40 when Brennan’s mom and Dale’s dad marry. The sons still live with the parents so they must now share a room. Initial antipathy threatens the household’s peace and the parents’ relationship. Dad lays down the law: both slackers have a week to find a job. Out of the job search and their love of music comes a pact that leads to friendship but more domestic disarray compounded by the boys’ sleepwalking. Hovering nearby are Brennan’s successful brother and his lonely wife: the brother wants to help sell his step-father’s house, the wife wants Dale’s attention, and the newlyweds want to retire and sail the seven seas. Can harmony come from the discord? –IMDb
Adam McKay (born April 17, 1968) is an American screenwriter, director, comedian, and actor. He is most famous for his partnership with comedian Will Ferrell, with whom he co-wrote the films Anchorman, Talladega Nights, and The Other Guys. McKay and Ferrell also founded the comedy website Funny or Die through their production company Gary Sanchez Productions.
Early life
McKay was born in Long Island, New York, graduated from Great Valley High School in Malvern, Pennsylvania, in 1986, and attended Penn State and Temple universities. He is one of the founding members of the Upright Citizens Brigade improv comedy group and a former performer at Chicago’s Improv Olympic, where he was a member of the improv group, The Family, whose members included Matt Besser, Ian Roberts, Neil Flynn, Miles Stroth, and Ali Farahnakian, and Child’s Play Touring Theatre. While a member of the mainstage cast at Second City, he wrote and performed in that company’s landmark revue, Pinata Full… read more
The guiltiest of the guilty pleasures. I know I should hate this film with a passion, but I don't. But, that doesn't mean I love it, not at all. Got a extremely large amount of HUGE belly-laughs out of it, WAY more than I thought I would! But, looking back at it, it was a very, very, very...odd film. Not GOOD odd or BAD odd, just ODD odd. I don't quite know what to make it and it's no Anchorman but I'm glad I saw it.
A major facet of Adam McKay's comedy—from Anchorman to The Other Guys—seems to work like this: the expectation of a joke is set up due to a circumstance