Over the course of three nights at Hollywood’s Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with cinematographer Jordan Cronenweth and Talking Heads… and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone’s blues, it’s a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne. —Palm Pictures
Robert Jonathan Demme (born February 22, 1944) is an American filmmaker, producer and screenwriter.
Demme was born in Baldwin, New York, the son of Dorothy Demme and a public relations executive father. Demme has three children: Ramona, Brooklyn, Josephine. He is a graduate of the University of Florida. He also was the uncle of director Ted Demme, who died in 2002.
Demme broke into feature film working for exploitation film producer Roger Corman from 1971 to 1976, co-writing and producing Angels Hard as They Come and The Hot Box, then directing three films (Caged Heat, Crazy Mama, Fighting Mad) for Corman’s studio New World Pictures. After Fighting Mad, Demme moved on to direct the comedy film Handle with Care for Paramount Pictures in 1977. The film was well-received by critics, but received little promotion, and performed poorly at the box office.
Demme’s 1980 film Melvin and Howard did not have a wide release, but received widespread critical acclaim, and led… read more
What defines a great concert film? Simple: It's when you're not a fan of the music and yet you're COMPLETELY mesmerized. Such a concert film is SMS, a masterpiece of it's genre. I'm not a fan of talking heads' music but the film GRABS me everytime I see it. And for 88 mins. I even like the music! Credit goes to Demme, and to the band but most credit should go to Byrne- you simply can't take your eyes off him.
“…because it’s good advice…”
says David Byrne to himself, (in his "self-interview) in response to why the film is called STOP MAKING SENSE.
Indeed, why make sense in any sort of musical/performance… read review