The doctor told the truth. The days are numbered.
Why me and why now?
A man leaves wife and children behind, parents, friends, neighbours and yesterday’s lover, the people in his life.
Day by day a little farewell.
Words are getting rare, longer the silence.
In front of the window the year changes its colours.
Dying is a final work to do.
Not being alone while you are left behind alone, maybe that’s a good thing. –Cannes Film Festival
Andreas Dresen was born August 16, 1968, in Gera. He grew up in Schwerin and started shooting his own amateur movies since the late ’70s. After receiving his university-entrance diploma, he worked as a sound engineer at the theater in Schwerin and completed a traineeship at the DEFA Studio for Feature Films where he also worked as an assistant director to his later mentor Günther Reisch. From 1986 until 1991 Dresen studied directing at the “Konrad Wolf” Academy of Film and Television in Potsdam-Babelsberg. Since 1992, he has been working as a freelance author and director. He lives in Potsdam. —filmportal.de
Terrible protocole d'une mort annoncée. Le recours par le mourant aux images autoscopiques d'un smartphone donne au film un dispositif très fort.
High time to round up the films at this year's Cannes Film Festival that never saw entries of their own and send them on their way. Today
Updated through 5/23. Emir Kusturica and his Jury (Elodie Bouchez, Peter Bradshaw, Geoffrey Gilmore and Daniela Michel) have announced that