Having made a number of successful and distinctive features in Germany (Crazy, Distant Lights, Requiem), director Hans-Christian Schmid moves into English-language filmmaking with a legal drama about personal and political integrity. Hannah Maynard (Kerry Fox), a prosecutor at the UN International Criminal Tribunal in The Hague, is given an apparently cast-iron case against a former Yugoslav National Army commander accused of ethnic cleansing. When the chief witness for the prosecution proves unreliable, Maynard travels to Bosnia with only a week’s grace to try and rebuild a case. In the course of her investigations she stumbles across further atrocities, consequently placing herself under threat from the war profiteers now running the Balkans. She persuades a reluctant young woman, Mira (Anamaria Marinca), to testify, but is shocked to find that the judicial process she has believed in and passionately supported throughout her career is itself suspect. Her loyalty towards her witness is at odds with her professional role, and like Mira, she has to make a choice between silence and speaking out. While the higher production values of Storm mark it as something of a shift from Schmid’s earlier films, it shares with them his interest in the pursuit of individual freedom and being true to one’s self. —BFI
Hans-Christian Schmid was born 1965 in the Bavarian city of Altötting, a famous place of pilgrimage. Nevertheless, Schmid was not brought up in a ultra-catholic fashion as some of his films might suggest. Instead, he grew up in a liberal home, attended a high school that was regarded politically left, went to demonstrations for peace instead of Sunday service, and was an active member of the Green party.
From 1985 to 1992, Schmid studied documentary film making at Munich’s Hochschule für Fernsehen und Film (HFF), where he filmed his debut movie Sekt oder Selters (1989) about people addicted to slot machines as well as two more short films. In his graduation film Die Mechanik des Wunders (1992), he dealt with the organized religiousness of his home town for the first time. After graduating from HFF, Schmid got a scholarship from Drehbuchwerkstatt München to study screenplay writing at University of Southern California in Los Angeles.— filmportal.de
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