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Displaying all 13 wall posts
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Douglas Reese

30Mar12

The first 25 minutes of the film on their own are nothing short of masterful and amongst Solondz's best in terms of relevance as well as his writing/directing craft. Honest, raw, unflinching. Haunting. Selma Blair's performance helps it all out. Goddammit - who knew she was capable of this?!

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bettyinabluemovie

6Mar12

the opening scene is just fantastic.

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Jez

17Feb12

Solondz never ceases to find new ways to abuse my moral campus.

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Adam D'Alexander

13Jul11

so underrated

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Madame Psychosis

29Jun11

Once you start writing, it all becomes fiction.

jeffreyreeser likes this

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Adam Eisentrout

23Mar11

People see Storytelling as mainly a self-critique on just Solandz. This is very true, but I see it as partly. Solandz self-critique is a critique on everybody involved, him as a filmmaker and us, as an audience. Though I almost feel "Fiction" is stronger than "Non-Fiction", both seem equal. Much like Solandz's other films, this one doesn't let you walk away without clawing its way into your brain. Excellent.

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Sunny!

22Jan11

The fiction segment was much more interesting than the nonfiction segment. The ending kind of pissed me off.

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fabridoss

26Sep10

"Fiction" is way better than "Non-Fiction", which is OK bu unfortunately takes 2/3 of the film. "Fiction" also helps to officialize my crush on Selma Blair, even in a "against the wall" scene like that.

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traag-1

5Apr10

much better this time around having seen it when it came out in the theater...DEF. full of cliches but that was the point. From the sitcom style scene intros to the over characterization of every role, it was sad and hard to watch at times...

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fehlauer

5Mar10

Just like the professor says to the class in the "Fiction" segment... too pretentious and full of cliches.

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Phil Worfel

12Aug09

Loved the "Fiction" segment despite it being almost unwatchable.

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Justin Kane

16Jun09

I love this film. I also think I enjoy the first, shorter segment the most. This is what the literary world should really be like.