It’s the eve of the millennium in Los Angeles, December 31, 1999. Lenny Nero (Ralph Fiennes) is an ex-cop turned street hustler who preys on human nature by dealing the drug of the future. It’s an environment that will lead him deep into the danger zone when he falls into a maze filled with intrigue and betrayal, murder and conspiracy. Angela Bassett and Juliette Lewis co-star in this provocative, action-packed thriller written by James Cameron. —20th Century Fox
Kathryn Ann Bigelow (born November 27, 1951) is an American film director, working in the science fiction, action and horror genres.
Bigelow was born in San Carlos, California, United States, the only child of a paint factory manager and a librarian. She broke into cinema via the art world, starting her creative life as a painter as a fellow at the Whitney Museum in New York. Bigelow entered the graduate film program at Columbia University, where she studied theory and criticism. Her professors included Vito Acconci and Susan Sontag. Bigelow worked with noted conceptualist Lawrence Weiner and worked with the Art & Language collective.
Bigelow’s first short film, The Set-Up (1978), is a 20-minute deconstruction of violence in film. The film portrays “two men (Gary Busey included) fight[ing] each other as the semioticians Sylvère Lotringer and Marshall Blonsky deconstruct the images in voice-over.” Her first full-length feature was The Loveless (1982… read more
Remember when the future was year 2000? A good thriller. The sci-fi element, the drug, is only a plot device so don't search for hidden meanings as the story proceeds. A great performance from Fiennes.
Strange Days: orbits around a plot that could potentially have a new perspectives into the human mind, but refuses to delve deeper.
Wobbling back and forth across the line between greatness and unbearable cheesiness like few other films.
Overly long and drags on in some places but I quite enjoyed it. Bigelow has an eye for direction, making things look and feel realistic. I Also think that Ralph Fiennes is great, almost like he was channelling James Woods. Best James Cameron screenplay, wonder what this would have looked like had he directed it.
Hours after the film industry had presented itself with a victory worth celebrating — Best Film and Best Director Oscars, among others, for