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Synopsis

Every segment in this film is entitled by some chemical element, as if the whole piece could fuse together different components that rarely work together. And perhaps their alchemist secret, their true reason for being, is to experiment on combinations that, regardless of how improbable they are, can also generate a big audiovisual potion. This Teoría de cuerdas deals with fusions, experiments, strange combinations and other well mixed ingredients, and gathers filmmakers on the margin of the forms and formalities of collective creations. From found footage to digital remix; from a deconstructed documentary style to powerful abstract images, the film moves forward with a sustained musical rhythm as it intertwines with a sound composition that puts its faith in both aesthetic risk and visual creators. Like a series of temporary worlds, the different phases of this composition are all placed on the same ledge from which they let themselves fall into a series of uncertain endless voids, thus creating their very own particular ways of being. –BAFICI

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Displaying 3 wall posts.

joako44

5May12

No lo entendí que joraca quiso mostrar el director

Picture of Judicial Joe

Judicial Joe

12Apr12

There ought to be more avant-garde, non-narrative, heavy on imagery features like this.

Picture of Zachariah Rush

Zachariah Rush

10Nov11

Despite the fact that some of the sections could have been pared down during the editing process—perhaps to bring the running time to 60 mins, ‘Teoría de cuerdas’ is a thoroughly intriguing portmanteau style work combining the elements of found footage and raw sound into an audio-visual compound depicting man’s existence in a manner that recalls David Lynch and Dada, with a Buñuel and Dalian moment included as well.

Nicu and 2 others like this

Luján, Zachariah Rush

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