The title is almost the whole of any possible description of this hand-painted and photographically step-printed film which exhibits variably shaped small areas of color (in a dark field) which explode into full frames of textured color interwoven with white scratch patterns that create a considerable sense of interior depth and three-dimensional movement. —Stan Brakhage
James Stanley Brakhage (January 14, 1933 – March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker who is considered to be one of the most important figures in 20th century experimental film.
Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film and the use of multiple exposures. Interested in mythology and inspired by music, poetry and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality and innocence.
Brakhage’s films are often noted for their expressiveness and lyricism.
Born Robert Sanders in Kansas City, Missouri on June 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.
As a child, Brakhage was… read more