Alain Robbe-Grillet (French pronunciation: [alɛ̃ ʁɔb ɡʁiˈje]) (18 August 1922 – 18 February 2008), was a French writer and filmmaker. He was, along with Nathalie Sarraute, Michel Butor and Claude Simon, one of the figures most associated with the Nouveau Roman (new novel) trend. Alain Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat No. 32. He was married to Catherine Robbe-Grillet (née Rstakian).
Alain Robbe-Grillet was born in Brest, (Finistère, France) to a family of engineers and scientists. He was trained as an agricultural engineer. During the years 1943 and 1944, Robbe-Grillet participated in compulsory labor in Nuremberg, where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since, in-between the very rudimentary training he was given to operate the machinery, he had free time to go to the theatre and the opera. In 1945, Robbe-Grillet completed his diploma… read more
Alain Robbe-Grillet (French pronunciation: [alɛ̃ ʁɔb ɡʁiˈje]) (18 August 1922 – 18 February 2008), was a French writer and filmmaker. He was, along with Nathalie Sarraute, Michel Butor and Claude Simon, one of the figures most associated with the Nouveau Roman (new novel) trend. Alain Robbe-Grillet was elected a member of the Académie française on March 25, 2004, succeeding Maurice Rheims at seat No. 32. He was married to Catherine Robbe-Grillet (née Rstakian).
Alain Robbe-Grillet was born in Brest, (Finistère, France) to a family of engineers and scientists. He was trained as an agricultural engineer. During the years 1943 and 1944, Robbe-Grillet participated in compulsory labor in Nuremberg, where he worked as a machinist. The initial few months were seen by Robbe-Grillet as something of a holiday, since, in-between the very rudimentary training he was given to operate the machinery, he had free time to go to the theatre and the opera. In 1945, Robbe-Grillet completed his diploma at the National Institute of Agronomy. Later, his work as an agronomist took him to Martinique, French Guinea, Guadeloupe, and Morocco. He died in Caen after succumbing to heart problems.
Robbe-Grillet’s first novel, The Erasers (Les Gommes), was published in 1953, after which he dedicated himself full-time to his new occupation. His early work was praised by eminent critics, such as Roland Barthes and Maurice Blanchot. Around the time of his second novel, he became a literary advisor for Les Editions de Minuit and occupied this position from 1955 until 1985. After publishing four novels, in 1961, he worked with Alain Resnais, writing the script for Last Year at Marienbad (L’Année dernière à Marienbad), and he subsequently wrote and directed his own films.
In 1963, Robbe-Grillet published For a New Novel (Pour un Nouveau Roman), a collection of previously-published theoretical writings concerning the novel. From 1966 to 1968, he was a member of the High Committee for the Defense and Expansion of French (Haut comité pour la défense et l´expansion de la langue française). In addition, Robbe-Grillet also led the Centre for Sociology of Literature (Centre de sociologie de la littérature) at the university of Bruxelles from 1980 to 1988. From 1971 to 1995, Robbe-Grillet was a professor at New York University, lecturing on his own novels.
Although Robbe-Grillet was elected to the Académie française in 2004, in his eighties, he never was formally received by the Académie because of disputes regarding the Académie’s reception procedures. Robbe-Grillet both refused to prepare and submit a welcome speech in advance, preferring to improvise his speech, as well as refusing to purchase and wear the Académie’s famous green tails (habit vert) and sabre, which he considered outdated.
Robbe-Grillet also wrote screenplays, notably for Alain Resnais’ 1961 film Last Year at Marienbad, a critical success considered to be one of the finest French films of the 1960s. It was followed by a number of films written and directed by Robbe-Grillet himself: Trans-Europ-Express (1966), his two French-Slovak films L’homme qui ment/Muž, ktorý luže (The Man Who Lies) (1968), L’Eden et après/Eden a potom (Eden and After) (1970), Glissements progressifs du plaisir (The Slow Slidings of Pleasure) (1974), Le jeu avec le feu (Playing with Fire) (1975), La belle captive (The Beautiful Captive) (1986) and many others. —Wikipedia
