Sunday Morning

Niedzielny poranek

Poland

1955

19 Min

Color

Polish

Currently 3.0/5 Stars.
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SCR Andrzej Munk, Henri Magnan

An impressionistic image of Warsaw rebuilt after the war and its residents. A kind of lyrical film version of a feature article, full of warm humor and enriched with observations of everyday life. (Awards: 1955 – 9th International Film Festival, Edinburgh, Honorary Diploma, 5th World Festival of Youth and Students, Warsaw, Gold Medal; 1956 – 5th Cultural and Documentary Film Week, Mannheim, Film Critics’ Award).

Director

Andrzej Munk

Andrzej Munk was a Polish film director, screenplay writer and camera operator and was one of the most influential artists of the Polish Film School.

Andrzej Munk was born in Kraków. Shortly before the World War II (in June 1939), he graduated from his local gymnasium. During the German occupation of Poland he moved to Warsaw, where he was forced to hide because of his partially Jewish ancestry. Using a false name, he worked as a construction worker. In 1944 Munk took part in the Warsaw Uprising. After the capitulation, he managed to leave the city and return to Kraków and later Kasprowy Wierch, where he started working as a janitor at the ropeway station.

After the war, Munk returned to Warsaw and joined the reopened Faculty of Architecture at the Warsaw University of Technology. Because of poor health he left the university and later studied law at Warsaw University. Finally he moved to Łódź, where he joined the Łódź Film and Theatre School. He graduated in 1951 and… read more

Andrzej Munk was a Polish film director, screenplay writer and camera operator and was one of the most influential artists of the Polish Film School.

Andrzej Munk was born in Kraków. Shortly before the World War II (in June 1939), he graduated from his local gymnasium. During the German occupation of Poland he moved to Warsaw, where he was forced to hide because of his partially Jewish ancestry. Using a false name, he worked as a construction worker. In 1944 Munk took part in the Warsaw Uprising. After the capitulation, he managed to leave the city and return to Kraków and later Kasprowy Wierch, where he started working as a janitor at the ropeway station.

After the war, Munk returned to Warsaw and joined the reopened Faculty of Architecture at the Warsaw University of Technology. Because of poor health he left the university and later studied law at Warsaw University. Finally he moved to Łódź, where he joined the Łódź Film and Theatre School. He graduated in 1951 and started working as a cameraman for the Polska Kronika Filmowa (Polish Film Chronicle). In this period Munk finished several short films and documents. In 1948 he joined the PZPR, but in 1952 was expelled for “blameworthy behaviour”.

In 1956 he finished Man on the Tracks (Człowiek na torze), one of the most important Polish films of the 1950s. The following year he started giving lectures at his alma mater. In 1957 he finished Heroism (Eroica), a set of two film novels on the Polish idea of heroism and virtue. In 1960 Munk finished his third film, Bad Luck (Zezowate szczęście), a tragicomical story of a Polish everyman who always finds himself in the wrong place and in the wrong time.

Andrzej Munk died in a car accident near Łowicz on September 20, 1961, while on his way home from the Auschwitz concentration camp where he was shooting Passenger (Pasażerka 1963), released in its partially complete form.

Since 1965 the Łódź Film School awards the best debut with the Andrzej Munk Film Award. During the 2001 Biennale di Venezia a retrospective festival of his films was organized in Venice. —wikipedia

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