Life Imitates Art on the Boulevard of Broken Dreams: http://cinemauprising.blogspot.com/2009/06/life-imitates-art-on-boulevard-of.html
One of the most finely written movie I've ever seen, but I don't really think the voice-over was of any use, because it was doing nothing else to say with words what we could already see with images. The few moments without the voice-over are pure moments of cinematic grace. Gloria Swanson plays one of the most scary femme fatale characters I've seen (along with Better Davis or Joan Crawford). Incredible ending.
Four stars and I'm not quite sure why I'm giving that many. It's good, don't get me wrong, but there were times when I was looking at my clock and wondering when it might end. Probably, the stellar performance of Gloria Swanson, kept me interested throughout - she's awesome. My favorite scene is where she is entertaining William Holden and does her Charlie Chaplin impression. It's definitely worth a look.
Amazing how there's no definitive position in this film. Who is the bad guy? Who knows! People are always people, reigned by ambition, pride, passion, fear, kindness, pity, love. Each character shows this precisely. Billy Wilder's geniality is expressed through his actors, his images and his amazing soundtrack, which goes perfectly with the psychological thriller. Simply beautiful.
Gloria Swanson is brilliant as her alter-ego of sorts, I loved her. I haven't realized this is actually a film noir until very recently, and the first Billy Wilder movie I see as well, I have to check more of his films now.
A brilliant film. Gloria Swanson does her best John Barrymore from "Twentieth Century" impression in cinema's ultimate comment on the transcience of fame in a medium already stuffed with ghosts.
Norma Desmond is one of the best characters of all time. Erich Von Stroheim is unreal. Cinematographic beauty. Metafilmic depth. Brilliant script. There are few few words. Stunning. No wonder my Italian film professor could never stop talking about this movie and how important it was. Straight up citation in Visconti's "Bellissima" one year later, with the mirror shots of Anna Magnani!
Brilliant in every way. Everything works - Wilder's and collaborator's script, the acting, the direction. Swanson and Holden are rightfully laudede, but don't overlook the brilliance of Erich von Stroeheim as Max. And the Wilder direction, teamed Seitz's photography. That opening shot - which Wilder envisioned - is enough to brand this an all-time classic, but it only gets better from there. American classic.
Perfeito! Tenho que usar aquela velha frase de 'que não se fazem filmes como antigamente'. Sem lição de moral, sem final feliz para agradar o público - apenas uma boa história com roteiro inteligente. Perfeito! O próximo filme da minha lista é 'Amnésia' (Memento). Vergonha que eu ainda não assisti, maior vergonha ainda que você não encontra esse filme nas locadoras daqui.