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Reviews of Sunshine

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MR. Univers​e

12Aug11

50 years into the future, the Sun begins to die, and Earth is dying as a result. A team of astronauts are sent to revive the Sun – but the mission fails. Seven years later, a new team are sent to finish the mission as they are Earth’s last hope.

Writer Alex Garland Considered this film his scientific answer to what if atheist were to meet god.

i am not the biggest fan of sci-fi so i came to this film strictly by word of mouth and god bless for that. This is trult a film to discover and experience.

This film more then ever shows that danny boyle is truly a master filmmaker. I mean look at his resume Shallow Grave, Trainspotting, The Beach, Millions, 28 Days Later. This is another classic to add to the list. this is everything a sci-fi film should be smart unconventional filled with actual ideas and situations that all have moral meaning behind them instead of a spaceship encounters a alien that slowly hunts them down. the sound and visulas are so excellent and rich.

This is defiantely a film that if you have blu-ray or high definition dvd it is the perfect film to fully utilize your system i only wish i had seen it in all of it’s glory on the big screen.

The cast are all excellent even chris evans who i was never impressed by before but here like paul walker in running scared he shows he actually has depth and talent. cillian murphy who aprat from being a beautiful man proves he can do no wrong. this is a compassionate film that asks you to think and feel instead of stare and be scared.

I Can’t Really say enough good things about this movie. it is truly a must see. It’s like “2001: A Space odessey” but with a more convetional storyline, but at the same time it’s not like that film either it’s just in the same category. Either way it would be a good double feature to watch. It’s that brilliant. A mind blower. It still is a spiritual story and can find any kind of philosophy you want in it.

The only depressing part of this film is that it had virtually no marketing when it came out. when it was released there were maybe like 4 theaters in new york playing it no previews, no commercials. just newspaper ads. and it’s a shame this film deserved better respect and more management i mean the studio spent like 30 million on the film. doesn’t it want to at least insure that investment with advertising it more. It has a international cast including 2 actors who were in high grossing popular films (Batman Begins, Fantasic Four 1 & 2) which i’m sure insured it would do well overseas. you have a director who made a high grossing horror film (28 days later) but they just dumped it. it’s a shame

If you haven’t seen it yet, go out right now and get your hands on a copy. i can’t recommend it highly enough.

Truly a lost classic of science fiction. A mmust add to the film library.

GRADE: A+

  • Currently 5.0/5 Stars.
Picture of Dylan Fries

Dylan Fries

20Jan10

This movie has really stuck with me, almost inexplicably, since the first time I saw it. Although there are definitely some issues, particularly with the narrative and the final bit getting a little bit cheesy, it was a strangely thought provoking movie to me. It is a very straight forward science fiction text in many ways, although not just because its a spaceship flying into the sun. It sets up a particular scenario with very little backstory for the explicit purpose of exploring a specific idea in incredible detail. Its worth a watch both for the early, building tension as well as for the meditation on the nature of light itself. Particularly, light providing an addiction and eventually transcendence. In short, I found it much more interesting read as a train of thought or philosophical exploration then as a narrative.

  • Currently 4.0/5 Stars.
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Patapon

30Oct09

If the sun dies, so do we; a self-explanatory and rather frivolous testimonial but has any of us ever concerned ourselves with the reality of how such an event might occur? Danny Boyle’s sci-fi, space odyssey breathes careful authenticity into this catastrophic possibility.
Pre-dating the overwhelming success of Slumdog Millionaire, Sunshine went respectively unnoticed. Boyle, most notably known for his visionary thriller 28 Days Later, was still an obscure name in the industry. The film, however, exceeded expectations. Its relatively small cast of under-the-radar actors had us all skeptical at first but in the end left a fresh and unique impression. The character development was equally divided among the actors which allowed for each individual to take on a major task that greatly impacted the mission. The lack of star performances allows the film to focus primarily on the mission and what it means for Earth if unsuccessful.

From the opening sequence to the unbelievable climax, we are hit with some of the most astounding visual effects ever witnessed on screen. Breathtaking CG images are seamlessly layered within the constructs of the film and intertwined with real environments and the actors themselves. An unforgettable moment of cinematic genius is sparked when the crew, through a filtered light-reducing shield in the ships main hull, is witness to a small object orbiting the sun. The tiny, shadowed object is Mercury. Though quite large in reality, it is dwarfed by the blinding presence of the sun. This shot alone depicts the enormity of what “Earth’s saviors” are up against.

In spite of the time and effort put into the visuals of the film we are left with an electrifying plot that pulls our emotional strings every step of the way. Among the best science fiction films of the 21st century, Sunshine burns a fiery image into the minds of those fortunate enough to have seen it.

  • Currently 4.0/5 Stars.
Picture of Luis Costa

Luis Costa

24Jul09

Danny Boyle é um cineasta bastante multifacetado. Quem olha para os filmes que realizou repara que este não é um realizador que se gosta de manter sempre no mesmo registo. Boyle realizou com tanta dedicação pequenos filmes independentes, como Millions, como grandes produções, como este Sunshine, filmes de culto arrojados como Trainspotting (o filme que o tornou famoso) e filmes de terror como 28 Days Later…. É sem dúvida um excelente realizador e este ano promete correr aos Óscares com o aclamado Slumdog Millionarie.

Sunshine é a sua viagem ao mundo da ficção científica. Influenciado por filmes como 2001: A Space Odyssey, de Kubrick, Solaris, de Tarkovsky e Alien de Scott, Boyle consegue aqui criar um filme bastante interessante, que para além de ter bastante atenção aos pormenores científicos (alguns bastante credíveis) consegue também criar uma atmosfera bastante tensa que se vai intensificando com o desenrolar da história.

O argumento é uma variação de várias histórias que já vimos contadas em alguns filmes desastre como Armageddon ou The Core, ou seja, a sobrevivência da humanidade é ameaçada por alguma coisa e é reunido um grupo de pessoas sobre o qual recai a responsabilidade de salvar o mundo. Neste caso é o Sol que está a perder a sua energia, o que faz com que na terra se viva num clima glacial. A solução é levar uma mega bomba que tem o intuito de revitaliza-lo. O filme segue um grupo de pessoas que vai na nave Icarus II, estas pessoas tentam levar a cabo a segunda tentativa de resolver o problema visto que a nave Icarus I desapareceu sem cumprir a sua missão sete anos antes.

A grande mais-valia deste filme é o ambiente criado, que faz lembrar em certas alturas todos os filmes que citei acima como influências de Boyle. Aliás, Boyle parece ter mesmo tirado o que mais deve ter gostado em cada uma destas obras. Infelizmente, apesar de ser uma obra razoável, nunca consegue chegar aos calcanhares de nenhum dos filmes mencionados, talvez por os crer misturar todos.

Outro aspecto interessante é a interacção dos passageiros à medida que os problemas vão surgindo. É isso conjugado com o ambiente claustrofóbico da nave que poderia ter tornado este num excelente filme. Mas não tornou, e isso deve-se ao facto do último terço do filme ser bastante mais fraco que o resto. A partir do momento em que a tripulação volta da Icarus I, começam a desenrolar-se um conjunto de acontecimentos que não fazem jus ao que se estava a passar durante o resto do filme.

Fazendo o balanço entre os aspectos positivos e os negativos pode dizer-se que o filme sai por cima. É um filme agradável com pormenores excelentes. É pena perder-se um pouco ao aproximar-se do fim, mas de qualquer forma vale a pena assistir pois é um filme que está alguns pontos acima de outras obras deste tipo.

  • Currently 3.0/5 Stars.
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Christo​pher Smith

17Jun09

Entertaining space adventure is still a slight disappointment coming from director Danny Boyle – whose previous films have always been completely fresh and original, while this one was more-or-less by the book. Good performances, great special effects, and exceptionally well-made, but much of it we’ve already seen in several other movies; and towards the end it does periodically and inexplicably shift from sci-fi to stalk-and-slash horror before a strong, visually dazzling ending that almost makes up for the relative banality of the rest of the film.

  • Currently 3.0/5 Stars.
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jaredmo​barak

16Jun09

I love Danny Boyle’s work. Sure I haven’t seen The Beach or Shallow Grave, but I can’t see myself thinking they will be anything less than fantastic because he has never let me down. The man has spanned genres and never shied away from doing something different than before. Between his visual flair, either aesthetically or kinetically, and his brilliant choices in screenwriters to collaborate with, Boyle astounds at every turn. His newest film Sunshine just enhances his oeuvre even more, bringing out, what in my opinion is, his finest achievement to date. This sci-fi thriller is equal parts 2001’s psychological quandary, Event Horizon’s supernatural foreboding, (although not as integral to the final act as some detractors of the film say it is), and Sphere’s stir crazy cabin fever—with a little Armageddon bomb in space world saving. Sunshine is a feat in technological expertise, sci-fi rhetoric, visual beauty, and an acting clinic from its ensemble cast of actors better known for supporting roles in the past.

Writer Alex Garland has crafted a story pitting man vs. God/science vs. creation. While I agree with this point as many have discussed, I don’t agree with the simplicity of it. People have been pointing out that this is a tale of Atheism since how can we mortals take our lives in our own hands by using science to resurrect the sun? If God has called time on our existence, wouldn’t it be our utter disregard for his own being to decide to go against his will? I refuse to believe the film is as simple as that because of all that is shown through its duration. For one, if we are to accept Greek mythology, it was Prometheus who gave us fire against the will of Zeus and to his own demise of infinite torture at the hands of vultures. The Gods have been fighting as far as how to handle us humans and if they had to take sides to fight for our survival, can’t we always fight against those Gods that have said our time is up? Also, if God created us with the mental capacity to create science and ways to go against nature, isn’t it his will to rise up to his challenge and fight?

We are given many moments of religious epiphany as well, at the hands of the Icarus II’s crew. These are the men and women risking their lives to save Earth and make a new star within our dying lifesource. Therefore they are supposed to be the atheists blatantly disregarding the clock of our existence’s final chime. By looking at the sun through their ship’s observation deck they are putting themselves one step closer to that God which they believe in. The sun’s rays, which bath the deck with light and encompass those watching, become a shower of God’s love and mesmerize those sitting before it. However, while this is true for people like Searle, the ship’s psychiatrist, and Kaneda, the ship’s captain, it is not for Icarus I’s captain Pinbacker. While watching the video logs of their predecessor’s mission’s demise, we find that the old captain had an epiphany of God’s will and decided to allow the sun’s rays to consume them and turn them back into the dust from whence they came. The power held inside the sun is both life and death depending on one’s deepest beliefs. What is killing humanity and putting them into nuclear winter is also the only hope they have left for survival.

The story is, for lack of another word, simple at its core. While the sun dies, so does life on Earth. After a failed attempt to create a new star with physicist Capa’s stellar bomb, he and a new crew mine the Earth of its final resources to construct one last bomb to do the job. They take flight on the two-year journey to the sun in order to drop the payload and fly back home hoping the bomb works and creates a new sun. The actual plot then, is the final leg of the journey to the sun and their attempts to succeed with the mission while also surviving themselves to see what their bravery has wrought. It is only when they discover the Icarus I on their way do they begin to question morality and the sacrifices needed to save millions at the cost of a handful. Through it all, Boyle infuses a wonderful visual artistry to counter the heavy struggle between crewmembers and the thoughts within themselves. The use of light is astonishing as the screen is filled with lens flares, double exposures, motion blurs, stark chiaroscuro contrasts between dark and light, and the use of transparent glass to show people as reflections and also layered through the fields of light. However he created the sun, Mercury, and the spark that will hopefully create a new star, is amazing to behold. The sun is literally God-like in is construction and composition and plays perfectly into the meaning that he and Garland wanted to express.

Being a psychological thriller, though, means that superb acting is necessary for us to care for these people and accept their motives. This cast does not disappoint at all. Cillian Murphy is great as usual, familiar faces Rose Byrne, Michelle Yeoh, and Troy Garity are all realistic as too, but it is the others that surprise with their emotional work. Hiroyuki Sanada portrays strength and poise of character with his stoic face, Benedict Wong is devastating as the mathematician they all need to depend on, and Chris Evans is the real discovery, showing us how good he can be. While doing films like Fantastic Four, Evans is usually the cocky funny man with one-note performances, not here though. His character is the one that understands the severity of their situation and is able to make the tough decisions for the success of the mission, no matter what the outcome of his own life. It is his mentality of self-sacrifice, at the cost of his own huge ego, that really shows what the film is about. Accepting your own death for the life of an entire world shows the strength of your being, whether or not you need God to get you to that point or not.

  • Currently 5.0/5 Stars.