With the recent onslaught of superhero send-ups, it seems as though this premise has become somewhat of a genre unto itself. No stranger to rebel filmmaking, James Gunn cut his teeth writing for Troma before making his directing debut with 2006’s Slither. In a similar vein, his follow-up feature combines absurd humour with balls-out violence to create something that is both unashamed and inimitable. But this time Gunn adds a new ingredient, one that is dark, dramatic and subversive to the core.
When sad sack Frank D’Arbo (Rainn Wilson) sees his ex-addict wife (Liv Tyler) willingly snatched by a seductive drug dealer (Kevin Bacon), he finds himself unable to cope. But when the finger of God blesses his brain (don’t ask), D’Arbo decides to fight back under the guise of a DIY superhero called Crimson Bolt. In order to get his wife back, he must first fight his way up the criminal ranks, and he begins by taking a monkey wrench to the foreheads of a couple who cut in line at the movies. As Crimson Bolt begins to make the headlines, a young woman from the local comic book store (Ellen Page) joins in on the fun as his sexually charged sidekick, Boltie.
The cast is dead-on, with Wilson making the heroic leap to leading man status. Page and Bacon are equally impressive and self-effacing in their supporting roles; both say and do things you could never imagine and we could never print. Rounding out the cast are appearances from longtime genre icons Nathan Fillion (Firefly), Michael Rooker (Henry: Portrait of a Serial Killer) and Troma’s own Lloyd Kaufman.
While Crimson Bolt bears likeness to the Watchmen, Defendor and Kick-Ass, James Gunn has created what is perhaps the definitive take on self-reflexive superheroes. If this outlandish dark comedy is not the zenith of its breed, God help us from what’s to come. Whether you’re new to the graphic novel game or a seasoned fanboy, you will find SUPER to live up to its name. –TIFF
James Gunn was born in St. Louis, Missouri. He earned his B.A. in theatre at Saint Louis University and his M.F.A. in creative writing at Columbia University. Upon graduating, he wrote several screenplays for Troma Entertainment, first of which was Tromeo & Juliet (96). Soon after, he wrote numerous scripts for Hollywood, including Scooby-Doo (02) and Dawn of the Dead (04). His feature directing credits include Slither (06) and SUPER (10). –TIFF
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Sangat sulit jika menulis tentang film ini tanpa membandingkannya dengan Kick-Ass yang lahir duluan. Kesamaan tema membuat kedua film ini saling tarik menarik. Kesamaan yang dapat saya tarik dari film… read review
This film is better then recent films thathave tried to tackle the same material of satarizing the suoperhero film genre. KICK-ASS so far has been the only successful one and that was due to it being… read review