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Synopsis

Widely considered to be the most shocking and hallucinatory horror movie in history – and described by director Dario Argento as “an escalating experimental nightmare”, Suspiria stars Jessica Harper as a young American ballet student who arrives at a prestigious European dance academy and is confronted by a series of bizarre and horrific deaths.

Packed with vicious violence, ultra gory effects and dazzling cinematic set pieces, Suspiria is a gruesomely gothic masterpiece of the macabre.

Director

Original

Dario Argento

Dario Argento was born on September 7, 1940 in Rome, Italy. He is the first born son of famed Italian producer Salvatore Argento and Brazilian fashion model Elda Luxardo. Argento recalls getting his ideas for film making from his close knit family and from Italian folk tales told by his parents and other family members, including an aunt who told him frightening bedtime stories. Argento based most of his thriller movies on childhood trauma, yet his own, according to him, was a normal one. Along with tales spun by his aunt, Argento was impressed by stories from The Grimm Brothers, Hans Christian Andersen, and Edgar Allan Poe. Argento started his career writing for various film journal magazines while still in his teens attending a Catholic high school. After graduation, instead of going to college, Argento took a job as a columnist for a roman evening newspaper, Paese Sera. Inspired by the movies, Argento later found work as a screenwriter and wrote several screenplays for a number of… read more

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Harry Rossi

16May13

An incredibly strange, disturbing and creepy film. Has two absolutely wonderful murder scenes that are pretty freaky. This film also has some of the best complementary production design and cinematography I've ever seen in a movie. Every image was gorgeous and completely surreal. The ending was very scary indeed. Pretty wonderful.

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Mário Coelho

1Apr13

A true Italian horror classic.

chanandre and João Romeiro like this

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soiwaswrong

26Mar13

Like any other horror films I've watched I really can't help but laugh with those outrageous scenes...

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Andrea Rizzo Pinna

18Mar13

Quando si racconta una fiaba, si deve in ogni modo accentuare i particolari che rendono unica quest'ultima. Suspiria è la fiaba che Argento ci vuole raccontare. La racconta come se fosse lui il primo a crederci. E nel farlo, trasforma la sua fantasia nella più brutale realtà. Tra l'onirico e il drammatico, questo film è il caposaldo dell'horror italiano. Anzi...dell'horror mondiale. Dopo di lui, il nulla.

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Fans

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Articles

Our roundup of essays and articles on this film.
W184

Echoes #6

By Daniel Kasman on May 8, 2012

Dario Argento one-ups Alfred Hitchcock’s North by Northwest in his horror classic Suspiria.

read article
W184

Tuesday Morning Foreign Region Blu-ray Disc Report: "Suspiria" (Dario Argento, 1976)

By Glenn Kenny on February 9, 2010

"Life is disappointing." So goes the most common English translation of a famous line of dialogue in Ozu's Tokyo Story. As if to underscore

read article

Lists

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Reviews

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One of the greatest horror movies

By Conner Rainwat​er on May 31, 2010

Sometimes movies are perfect and this is definitely one of those cases. Argento’s directing is flawless and he knows all the necessary factors to instill fear. The lighting is bizarre and matches the…  read review

Untitled

By timotay​o on September 7, 2009

I’ve always wondered what would happen if Vincente Minnelli had made a horror film. Or rather, if an MGM dream ballet sequence had, instead of being confined to the span of fifteen minutes, now the…  read review

Untitled

By jaredmo​barak on June 8, 2009

One of the characters summed up Suspiria quite concisely at the start of the film. She said, “It’s all so absurd, so fantastic.” I can’t think of a better way to begin a description. Sure the gore…  read review

Untitled

By Sam Cooper on June 7, 2009

Sure, as with most of Argento’s affairs, rain will fall and glass will be shattered, but where does one exactly begin with Suspriria? It’s by far Argento’s best film, and avoids one of giallo’s greatest…  read review

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