Anna and Ben are settled in rural Chile in the early 1970’s. They are very isolated and their only real friends are two Chilean sisters, Eva and Monica. When Ben is stranded in Santiago on the eve of the military takeover of 1973, Anna is livid…and this is made worse by the fact that Eva, the ex-personal assistant to Allende’s wife, has been arrested by the soldiers of the new Pinochet regime and taken into custody where she is emotionally and sexually defiled. She is released, only to be further harassed by one of her arresting officers, Raoul, who poses as her protector but wishes to rape her. Meanwhile, Anna becomes involved with a Canadian journalist named Paul, who is compiling information for an extensive journalistic treatment of the coup. Anna and Ben organize an escape for Eva, over the walls of a convent to the safety of an embassy. —IMDb
Born on June 11, 1921 in Limassol, Cyprus, Michael Cacoyannis was the elder son of Sir Panayiotis and Lady Cacoyannis. He studied law in London and was called to the Bar (Barrister-at-law) in 1943. While working for the BBC’s Greek service, first as a news announcer and then as a producer of cultural programs, he also studied acting at the Central School of Dramatic Art in London and directing at the Old Vic School.
Not long after his debut as an actor in 1947, he decided to concentrate instead on directing. In 1952 he left London to settle in Athens and one year later the success of his first film (“Windfall in Athens”) marked the beginning of an international career in directing. Among them “Stella”, “A Girl in Black”, “A Matter of Dignity”, “Zorba the Greek” and the trilogy of “Electra”, “The Trojan Women”, “Iphigenia”, his films were regurarly screened at the most prestigious International film festivals, receiving awards and distinctions. Michael Cacoyannis has worked… read more
Misconceived attempt to replicate Costa-Gavras' MISSING. Kakogiannis' melodramatics are tonally all over the shop and inappropriate for such serious subject matter. A few scenes do work - mainly the nasty ones with Laure. Quaid isn't as bad as some say though has some unintentionally funny deliveries ("MILICO"). The less said about Pettet the better. Everyone else is wasted. Shame. Watch some Patricio Guzmán instead.