This breathtaking chronicle follows an ever-surprising group of modern-day cowboys as they lead an enormous herd of sheep up and then down the slopes of the Beartooth Mountains in Montana on their way to market. Call it an abstract Western or the last round-up. Filmmakers Ilisa Barbash and Lucien Castaing-Taylor spent three summers in Montana documenting the process by which sheep are raised, ranched, sheered, and driven hundreds of miles to graze in high pastures of Sweet Grass county. The mode is strictly observational, and there is plenty to see—and hear. Sweetgrass is routinely awe-inspiring and often hilarious. As David D’Arcy reported from the Berlin Film Festival where the documentary had its premiere, “the sheep aren’t just in the landscape, they are the landscape.” The Big Sky country has never looked more spectacular—or, thanks to the ranchers as well as their animals, sounded more cacophonous—and, after Sweetgrass, it will never look the same. —The Film Society of Lincoln Center
Perhaps a bit too casually paced. I understand the choice, and it works fine for individual scenes, but the cumulative effect on me is a loss of interest and increased detachment. Despite that, it's a pretty good movie, beautifully filmed, and worth a look.
This is like slipping into a pastoral dream. The wind. The constant braying of sheep. The idle bits of conversation between the mostly stoic herders. The crack of guns at hungry bears in the middle of the night. That’s all the soundtrack offers. In its execution and honesty it’s literally on a par with the Maysles Grey Gardens. A true document, artfully done yet completely free of artifice.
Begins like a children's video about a farm (Up Close and Personal), observing activity without comment. Becomes a beautiful, quiet meditation on humans and their relationship to animals and the environment. Modest but rather profound filmmaking.
Also: An audio interview with Kubrick (1966) and Wenders, Friedkin, Andersen and more discuss “How Los Angeles Invented the World.”
"One way of approaching Cinema Scope, to me," writes editor Mark Peranson, "is as a curated work that has always straddled the boundary between
"With rugged reverence," begins Nick Schager in Slant, "Sweetgrass depicts the final sheepherder drive into Montana's Beartooth mountains
This is like slipping into a pastoral dream. The wind. The constant braying of sheep. The idle bits of conversation between the mostly stoic herders. The crack of guns at hungry bears in the middle… read review