Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan’s theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mockup of the city outside. As the city inside the warehouse grows, Caden’s own life veers wildly off the tracks. The shadow of his ex-wife Adele (Catherine Keener), a celebrated painter who left him years ago for Germany’s art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele’s friend, Maria (Jennifer Jason Leigh). He’s helplessly driving his marriage to actress Claire (Michelle Williams) into the ground. Sammy Barnathan (Tom Noonan), the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel (Samantha Morton). Meanwhile, his therapist, Madeline Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. His is second daughter, Ariel, is retarded. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs. By seamlessly blending together subjective point-of-views with traditional narrative structures, writer/director Charlie Kaufman has created a world of superbly unsteady footing. His richly developed cast of characters flutter between moments of warm intimacy and frightful insecurity, creating a script that brings to life all the complex and beautiful nuances of shared life and artistic creation. Synecdoche, New York is as its definition states: a part of the whole or the whole used for the part, the general for the specific, the specific for the general. —IMDb
He first came to mainstream notice as the writer of Being John Malkovich (directed by Spike Jonze), earning an Oscar nomination for his effort and winning a BAFTA. He also wrote Human Nature, which was directed by Michel Gondry, and then worked with Jonze again as the screenwriter for Adaptation., which earned him another Oscar nomination and his second BAFTA. Adaptation. featured a “Charlie Kaufman” character who is a heavily fictionalized version of the screenwriter and who has an “identical twin brother,” Donald, a sell-out screenwriter reflecting Kaufman’s anxieties about Hollywood. The DVD edition of Adaptation. contains a filmography which lists Donald Kaufman as having written the screenplay for the movie. The credits of the film close with the words “in loving memory of Donald Kaufman”.
Kaufman also penned the screenplay for Confessions of a Dangerous Mind, a biopic based on the “unauthorized autobiography” of Chuck Barris, the creator of such popular game shows as The… read more
I can see why Ebert picked this as the best film of the past decade. It's the most unconventional screenplay of the past decade. As Michelle Williams states: "It's brilliant. It's everything. It's Karamazov." Personally, though, I find its deconstructing fragmented narrative distracting in the midst of moments of emotional clarity. I still think Eternal Sunshine of the Spotless Mind is Kaufman's shining moment.
I can understand the extreme reactions, I was just hoping he'd do something else narratively speaking. Once we get to the part where he begins staging his life it just keeps going and going and going. Not that there wasn't anything interesting going on there. I do take issue with the time considering in the latter half he's essentially doing things immediately after they happened. I wish the story would collapse in.
I'm just a little person One person in a sea Of many little people Who are not aware of me I do my little job And live my little life Eat my little meals Miss my little kid and wife And somewhere, maybe someday Maybe somewhere far away I'll find a second little person Who will look at me and say "I know you You're the one I've waited for Let's have some fun."
Such a nice line from a great film ! I agree.. the best part of it too is that we think we are waiting for someone or something ( funeral monologue speech) but we're not we have already found in within cinema.. But the one thing we know a little bit about is that cinema carries with it just too much wealth
I can't believe I spent two hours on this pretentious film. It's boring, and to be honest, why do I want to watch a film that's boring and tries too hard?
Each of the Notebook's writers were given the opportunity to submit their ten favorite films of 2008 given at least a week's theatrical run
Admittedly this was not an easy film to enjoy. Much of it is tedious, and the occasional surreal touches serve to make it claustrophobic. Many critics contest whether it even succeeds as entertainment;… read review
I love Philip Seymour Hoffman. Even though something about him makes me feel physically sick (maybe it’s the way he looks, I can’t quite put my finger on it) I think he’s one of the best actors around… read review
It’s very difficult to come up with something interesting to say about this after you’ve seen at. At least it is for me. I’ve tried to approach reviewing this multiple times and nothing comes out… read review
Akhirnya, saya punya keberanian untuk menulis review tentang film terbaik yang pernah saya tonton seumur hidup saya di kategori film Classic. Inilah film yang paling mempengaruhi saya dengan cara yang… read review