A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company’s law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields. —IMDb
Stephen Gaghan (born May 6, 1965) is an American screenwriter and director. He is noted for writing the screenplay for Steven Soderbergh’s film Traffic, based on a Channel 4 series, for which he won the Academy Award, as well as Syriana which he wrote and directed.
Childhood and education
Born in Louisville, Kentucky, the son of the former Elizabeth Jane Whorton and her first husband, Stephen Gaghan (d. 1980), and a stepson of Tom Haag, Gaghan attended Kentucky Country Day School, a college preparatory school in Louisville. He was an All-State soccer player where he held the assist record at the school for nearly three decades. He is a grandson of Jerry Gaghan, a newspaper columnist and drama critic for Variety and the Philadelphia Daily News, whose career inspired Gaghan’s own professional pursuits. As he wrote in a 2001 article in Newsweek, "I also wanted to be a writer, like my grandfather, who carried a card in his wallet that read, “If you find me, call my son [my father… read more
This film feels like a wasted opportunity, they did have alot of interesting idea running around, but nothing really came together in a satisfying way. What was Wright doing? I love the actor so I was interested in his character but nothing really happened. The movie was boring, and when the moments it wasn't is few and far between. A movie can hold my attention if I'm engaged but I found myself drifting throughout.
incomprehensible; awful. a labyrinthian, globe-trotting mess that wastes its stellar cast on oded exposition and ideological diatribes. interesting as a combination of bush-era kneejerk & 2000s interconnected/non-linear "web" screenwriting (globalism, yadda yadda--see also: BABEL). well-intended seriousness. well shot.
awful, cliché, boring, stupid, and one of the worst screenwriting lesson ever made....
Poor screenwriting except for the fact it was eerily prescient about SPECIFIC political events that would occur over the following five years.
Dense, labyrinthique, audacieux – 01/05/2009
Voilà un film où il faut s’accrocher, car outre la complexité de l’intrigue, il vous faudra attendre le dernier quart d’heure pour que tous les éléments… read review