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Synopsis

A missile disappears in Iran, but the CIA has other problems: the heir to an Emirate gives an oil contract to China, cutting out a US company that promptly fires its immigrant workers and merges with a small firm that has landed a Kazakhstani oil contract. The Department of Justice suspects bribery, and the oil company’s law firm finds a scapegoat. The CIA also needs one when its plot to kill the Emir-apparent fails. Agent Bob Barnes, the fall guy, sorts out the double cross. An American economist parlays the death of his son into a contract to advise the sheik the CIA wants dead. The jobless Pakistanis join a fundamentalist group. All roads start and end in the oil fields. —IMDb

Director

Original

Stephen Gaghan

Stephen Gaghan (born May 6, 1965) is an American screenwriter and director. He is noted for writing the screenplay for Steven Soderbergh’s film Traffic, based on a Channel 4 series, for which he won the Academy Award, as well as Syriana which he wrote and directed.
Childhood and education

Born in Louisville, Kentucky, the son of the former Elizabeth Jane Whorton and her first husband, Stephen Gaghan (d. 1980), and a stepson of Tom Haag, Gaghan attended Kentucky Country Day School, a college preparatory school in Louisville. He was an All-State soccer player where he held the assist record at the school for nearly three decades. He is a grandson of Jerry Gaghan, a newspaper columnist and drama critic for Variety and the Philadelphia Daily News, whose career inspired Gaghan’s own professional pursuits. As he wrote in a 2001 article in Newsweek, "I also wanted to be a writer, like my grandfather, who carried a card in his wallet that read, “If you find me, call my son [my father… read more

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Christopher A. Cook

23Dec11

This film feels like a wasted opportunity, they did have alot of interesting idea running around, but nothing really came together in a satisfying way. What was Wright doing? I love the actor so I was interested in his character but nothing really happened. The movie was boring, and when the moments it wasn't is few and far between. A movie can hold my attention if I'm engaged but I found myself drifting throughout.

Jon K likes this

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SALESK

8Oct11

incomprehensible; awful. a labyrinthian, globe-trotting mess that wastes its stellar cast on oded exposition and ideological diatribes. interesting as a combination of bush-era kneejerk & 2000s interconnected/non-linear "web" screenwriting (globalism, yadda yadda--see also: BABEL). well-intended seriousness. well shot.

Filme likes this

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ZINCOVIX8754.

30Aug11

Great movie...

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Tigrane

23Feb11

awful, cliché, boring, stupid, and one of the worst screenwriting lesson ever made....

Annalee likes this

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    Tigrane

    28Apr11

    I've seen your very good tastes, but this one was so disapointing as I expected very much from Stephen Gaghan and Soderbergh. This is pure cliché.

  • Johnny DuBiel

    10Feb12

    Poor screenwriting except for the fact it was eerily prescient about SPECIFIC political events that would occur over the following five years.

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Syriana REVIEW

By Twitchfilm.com on May 17, 2011
I believe that it was during last summer’s press blitz for “Star Wars: Episode III” that George Lucas said in an interview that if you’re going to do politics in movies, better to do it as allegory, for
read on Twitchfilm.com

Syriana REVIEW

By Twitchfilm.net on July 16, 2010
I believe that it was during last summer’s press blitz for “Star Wars: Episode III” that George Lucas said in an interview that if you’re going to do politics in movies, better to do it as allegory, for
read on Twitchfilm.net

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Dense, labyrinthique, audacieux

By hubertg​uillaud on April 21, 2010

Dense, labyrinthique, audacieux – 01/05/2009

Voilà un film où il faut s’accrocher, car outre la complexité de l’intrigue, il vous faudra attendre le dernier quart d’heure pour que tous les éléments…  read review

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