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Szamanka

Switzerland, France, Poland

1996

110 Min
Color
1.66:1
Polish
  • Currently 3.6/5 Stars.
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DIR Andrzej Żuławski

PROD Jacky Ouaknine

SCR Manuela Gretkowska

DP Andrzej Jaroszewicz

CAST Bogusław Linda, Iwona Petry, Agnieszka Wagner, Paweł Deląg, Jolanta Grusznic, Alicja Jachiewicz, Piotr Machalica, Piotr Wawrzynczak, Wojciech Kowman, Zdzisław Wardejn

ED Wanda Zeman

PROD DES Tomasz Kowalski

MUSIC Andrzej Korzyński

SOUND Piotr Knop

Venice (Venetian Nights), CPH PIX (Retro: Żuławski)

Synopsis

Andrzej Żuławski’s adaptation of Manuela Gretkowska’s provocative and hugely successful novel reaches new extremes in the depiction of brutality, sex, and passion as it tells the story of a young(ish) anthropologist driven by the mystery surrounding the death of a recently discovered shaman; and his growing obsession with an enigmatic yet violently perverse beauty known as “The Italian.” Szamanka (“She-Shaman”) is a film “without brakes.” Above all else, it is a ‘demonic’ film where characters are battlegrounds in the war between devils and angels, where angels are agents of God and devils are those of the Devil. This pulpy, sexually charged tale with its deranged erotic futurism underlines Żuławski’s commitment to stretch the limits of aesthetic expression by exploring themes beyond the pale in conventional cinema. Violence, exuberance and sexuality are its key ingredients. Through hysteria, possession and hallucination we see what the Polish writer Stanislaw Przybyszewski called ‘naked soul’. –Mondo Vision

Director

Original

Andrzej Żuławski

Andrzej Zulawski was born on the territory of what was then the U.S.S.R. in a Polish family with remarkable traditions in arts and literature. After World War II, his father’s diplomatic career brought the family to France (1945-1949), Czechoslovakia (1949-1952), and finally to Poland. He studied film direction at IDHEC in Paris (1957-1959) and philosophy at both Warsaw University (1961) and Université de Paris (1962-1964).

First, he assisted the famous Polish director Andrzej Wajda during the filming of Samson (1961), Popioly (1966), and the Warsaw episode of L’Amour à Vingt Ans (1962). In 1967, Zulawski directed two short films, Piesn Triumfujacej Milosci and Pavoncello, for Polish TV.
His feature debut, Trzecia Czesc Nocy (1971), as well as those previous films were co-scripted by his father, poet Miroslaw Zulawski. The picture was well received at the Venice Film Festival and awarded as the Best Debut in its homeland, but had only limited release due to Polish censorship… read more

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film_lies101

28Feb13

Has my fave Zulawski soundtrack

Namaste and Mathew (sic) like this

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This is Jake Kath

16Feb13

Obsession, Destruction, Revelation. These are the three weapons Zulawski used to violate the audience with in this flick and baby, it shines! His brand of expressionism is like a skin affection that you love licking until it bleeds and the blood is your salvation. This is no exception. Its a frenzy of a movie that bares every drop of soul. Love!

hostess of horror and Namaste like this

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Mathew (sic)

20Jan13

"In natural guise, but lit by supernatural light; palpable to the senses, but inscrutable to the soul, in their perfectest impression on us, ever hovering between Tartarean misery and Paradisaic beauty; such faces, compounded so of hell and heaven, overthrow in us all foregone persuasions, and make us wondering children in this world again." - Herman Melville

Namaste and Mr. Arkadin like this

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Remote Viewer

7Sep12

co-dependency, shamanism, brains culminating in repeated sexual exorcisms // soundtrack is like a warped, post-industrial cassette tape stuck in the player {ba buh da duh SEX, ba buh da duh LEATHER HAT} Iwona Petry is exceptionally spastic. bizarre & brutal, but perhaps less memorable than Possession.

Candid Utopia and film_lies101 like this

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W184

Beginnings Are Useless: A Conversation with Andrzej Żuławski

By The Ferroni Brigade on March 12, 2012

A discussion with director for his first US retrospective.

read article
W184

Andrzej Żuławski @BAMcinematek

By David Hudson on March 6, 2012

Hysterical Excess: Discovering Andrzej Żuławski is the first complete retrospective in the US.

read article

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