Tells the story of an idealistic young politician’s rise and fall. Daam, a well-intentioned but vacillating European-trained politician must choose between two social paradigms exemplified by his two wives. The first, Gagnesiri, is the village beauty, who waits patiently for Daam. Unfortunately, they are unable to conceive a child, so Daam takes European-educated Kiné, who is eager to get ahead by marrying a politician. Daam becomes involved in a shady business deal with Président, a local businessman; when the details are made public, he is forced out in disgrace. —IMDb
A painter as well as a filmmaker, Absa draws heavily on performance art and other visual art forms in his feature films. As he once said, “I see the décor as a character, and this character is just as important as an actor. The sets speak to us. I like cinéma vérité, and I am inspired by reality.” Absa’s work exemplifies a generation of Senegalese filmmakers (including Mansour Sora Wade and Dyana Gaye) whose use of color, stunning imagery, and close collaboration with various forms of performance art is inspired by the culture’s ‘Masters.’ Absa presents a Senegal that recognizes the value of all of its people, speaking to and valuing the old and the young, men and women, the politics and the poetry of his society. —www.movingimage.us
Moussa Sene Absa overflows with creativity. He is an artist, writer, and musician, as well as a film director. He made his debut as an actor, then moved to directing with the production of his own stage play, La Légende de Ruba.
In cinema, he… read more