Lung, a former member of the national Little League team and now operator of an old-style fabric business, is never able to shake a longing for his past glory. One day, he runs into a forme teammate who is now a struggling cab driver. The two talk about old times and they are struck by a sense of loss. Lung is living with his old childhood sweetheart Ah-chin, a westernized professional woman who grew up in a traditional family. Although they live together, Ah-chin is always weary of Lung’s past liason with another girl. After an argument, Ah-chin tris to find solace by hanging out with her sister’s friends, a group of westernized, hedonistic youths. —IMDb
Though largely unknown in the West, Edward Yang emerged, over the course of two decades, as one of international cinema’s most distinctive voices and, along with Hou Hsiao Hsien, one of Taiwan’s finest filmmakers. Born in Shanghai in 1947, Yang fled with his family to Taiwan during the tumult of the Chinese Civil War. At a young age, he found creative inspiration in Japanese comic books and soon began writing his own works. In 1974, having received an advanced degree in Computer Science at Florida State University, he went on to study film at the University of Southern California. He quickly grew disillusioned with the program’s commercial emphasis, however, and withdrew after only one semester. He remained in America, working as a computer expert for several years. During this time, he kindled his passion for cinema by writing a script and aiding the production of the Hong Kong television movie Winter of 1905 (1981). Upon his return to Taiwan, he directed a number of television shows… read more
Staggeringly, breathtakingly human portrait of two people trying to make good in a cold, inhuman city.
This film gets one extra star for having a Huey Lewis song in it, as if HHH karaoke wasn't enough!
Yang’s creative ethos is summed up by two of his lesser known films: A Confucian Confusion and Mahjong .