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Take Aim at the Police Van

Sono bososha o nerae

Japan

1960

84 Min
Black and White
2.45:1
Japanese
  • Currently 3.3/5 Stars.
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DIR Seijun Suzuki

PROD Ryoji Motegi

SCR Shinichi Sekizawa

DP Shigeyoshi Mine

CAST Michitaro Mizushima, Mari Shiraki, Misako Watanabe, Shinsuke Ashida, Shoichi Ozawa, Ryôhei Uchida, Tôru Abe, Tatsuo Matsushita, Saburo Hiromatsu, Reiko Arai, Toyo Fukuda, Kotoe Hatsui, Hiroshi Osa

ED Akira Suzuki

MUSIC Koichi Kawabe

New York (Masterworks)

Synopsis

At the beginning of Seijun Suzuki’s taut and twisty whodunit, a prison truck is attacked and a convict inside is murdered. The penitentiary warden on duty, Daijiro (Michitaro Mizushima), is accused of negligence and suspended, only to take it upon himself to track down the killers. —The Criterion Collection

Director

Original

Seijun Suzuki

Seijun Suzuki (鈴木 清順, Suzuki Seijun?), born Seitaro Suzuki (鈴木 清太郎 Suzuki Seitarō) on May 24, 1923, is a Japanese filmmaker, actor, and screenwriter. His films are renowned by film enthusiasts worldwide for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded his magnum opus, Branded to Kill (1967), starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal but was blacklisted for 10 years. As an independent filmmaker he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, Zigeunerweisen (1980), Kagero-za (1981) and Yumeji (1991).

His films remained widely unknown outside of Japan until a series… read more

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Sunrise

11Apr12

While the narrative is (self-awareingly) convoluted, Suzuki emphasizes a story in which a man of public service, a suspended prison guard, sees how business dehumanizing interactions to rise above itself. The horrid casualties result in revelation for young Yuko, a woman that has inherited a position of management, that capitalism has an agenda into which she is not able to integrate, nor emotionally accept. Amazing.

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Erik Gregersen

20Feb12

One of Suzuki's pre-1963 "normal" movies, and yes it is a masterpiece. If this had made at Columbia Pictures at this time, it would have entered the canon.

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Judicial Joe

27Sep11

Your average genre noir. If Suzuki hadn't directed it, it wouldn't be remembered today. Grade: D+.

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Alex Delarge

22Jul10

Just got the Nikkatsu Noir set from Criterion and can't wait to watch this!

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Articles

Our roundup of essays and articles on this film.

NIKKATSU NOIR: Seijun Suzuki's TAKE AIM AT THE POLICE VAN

By Twitchfilm.com on May 17, 2011
Seijun Suzuki started as a contract director for Nikkatsu in 1956. By the time 1960 rolled around, which was the year Take Aim at the Police Van was released, Suzuki had over a dozen films to his credit
read on Twitchfilm.com

NIKKATSU NOIR: Seijun Suzuki's TAKE AIM AT THE POLICE VAN

By Twitchfilm.net on July 17, 2010
Seijun Suzuki started as a contract director for Nikkatsu in 1956. By the time 1960 rolled around, which was the year Take Aim at the Police Van was released, Suzuki had over a dozen films to his credit
read on Twitchfilm.net

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Take Aim at the Police Van

By Adam Suraf on November 1, 2010
While transporting a van-full of prisoners, prison guard Michitaro Mizushima’s van is attacked by assassins, two prisoners are killed, and he’s suspended six months for negligence. But who were these…

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