Following his acclaimed debut, Shotgun Stories, writer/director Jeff Nichols reteams with actor Michael Shannon to create a haunting tale that will creep under your skin and expose your darkest fears.
Curtis LaForche lives in a small town in Ohio with his wife, Samantha, and daughter, Hannah, a six-year-old deaf girl. When Curtis begins to have terrifying dreams, he keeps the visions to himself, channeling his anxiety into obsessively building a storm shelter in his backyard. His seemingly inexplicable behavior concerns and confounds those closest to him, but the resulting strain on his marriage and tension within his community can’t compare with Curtis’s privately held fear of what his dreams may truly signify.
Take Shelter features fully realized characters crumbling under the weight of real-life problems. Using tone and atmosphere to chilling effect, Nichols crafts a powerful psychological thriller that is a disturbing tale for our times. —Sundance Film Festival
Jeff Nichols, from Little Rock (Arkansas), stands out as one of the promising new deal in American cinema.
A complex hybridization between Malick and Spielberg (without ever limiting himself to these far-reaching elective filiations), he is right at the edge between American independent cinema and Hollywood industrial cinema. [Shotgun Stories] was striking due to its humble mastery of direction, its capacity to revisit America’s myths grasping at the same time both the territory and the landscape. One could see a “folk cinema”, in the tradition of the great American names, from John Ford to Terrence Malick in Badlands. One could also discover a brilliant actor, Michael Shannon, whose marmoreal grace evoked a “redneck” version of Christopher Walken. The same qualities can be found (including Michael Shannon) in Take Shelter; but there, the art of Americana is somehow “disturbed” by the codes of the genre movie, to be more specific those of the supernatural… read more
Such a beautiful movie and a near masterpiece. The use of tension is superb, Shannon is remarkable, and the allegory, especially for those who have been close to someone with mental illness, is subtle and brilliant.
The French film journal has unveiled their choices for the best films of the year.
In our annual poll, we pair our favorite new films of 2011 with older films seen in the same year to create fantastic double features.
Best Film, Director and Use of Music. The Tree of Life scores Cinematography and, at least in part, Breakthrough Performer.
Most agree that “Nichols is fast becoming one of the deftest storytellers in American independent cinema.”
Brothel films are like submarine movies—the stories, the dramas, even the details always remain the same, held in a airtight container
Updated through 5/6. La Semaine de la Critique, known in the English-speaking world as Critics' Week, is celebrating its 50th year, and festivals
"Curtis (Michael Shannon), the central figure of Jeff Nichols's powerful, enigmatic drama Take Shelter, is living in the grip of overpowering
When Bob Dylan sang, “I’m livin’ in a foreign country/but I’m bound to cross the line,” I wonder if this is what he had in mind. Obviously, writer/director Jeff Nichols is not the first person to sketch… read review
It’s funny, you wait years for an apocalyptic arthouse film then two turn up within months of each other. While Lars Von Trier’s Melancholia took a metaphorical approach to the genre, using the impending… read review
Title: Take Shelter
Genre: Drama, Thriller
Director: Jeff Nichols
Writer: Jeff Nichols
Jessica… read review