John Derek was the son of writer/director Lawson Harris and bit-actress Dolores Johnson. Signed by David O. Selznick in 1943, Derek made his film debut as an extra in Since You Went Away, playing a soldier—which indeed he was at the time. His first starring role was as a death-row juvenile delinquent in Columbia’s Knock on Any Door (1949), in which he was given more screen time than nominal star Humphrey Bogart. Most of Derek’s subsequent Columbia assignments were in workaday “B” costume pictures and westerns; he enjoyed his best role in years, that of John Wilkes Booth, in 20th Century-Fox’s Prince of Players (1954). By 1961, Derek’s film career was seriously flagging, obliging him to sign on as one of the stars of the 26-week TV series Frontier Circus. Unhappy with his progress (or lack of it) as an actor, Derek turned director for the 1966 wartime flick Once Before I Die. Derek has used many of his directorial efforts as showcases for… read more
Embarrassingly incompetent ego project, or inadvertent absurdist masterpiece? Richard Harris devours scenery while Bo Derek stumbles through her lines (often while topless), and when O'Keeffe's beefcake Tarzan shows up, it really falls off the deep end into an almost hypnotic ridiculousness. One of the worst movies ever made, sure, but it really deserves some credit, this film is an experience.
Lo unico positivo de esta pendejada fue que gracias a que los descendientes de Rice Burroughs se encabronaron tanto al ver el resultado, que se decidieron a apoyar la filmaciòn de la pelicula con Christopher Lambert. Por lo demas, reto a quien sea a tratar de no sentir pena ajena al ver esta madre.
Tarzan, the Ape Man (1981) was John Derek’s most successful picture as director (31 million in 1980s dollars). This may be because Tarzan is a known commodity (though Tarzan is not in the film a great… read review