Tatsumi celebrates the life and work of Japanese comics artist Yoshihiro Tatsumi. In post-war occupied Japan, young Tatsumi’s passion for comics eventually becomes a means of supporting his poor family. Already published as a teenager, talented Tatsumi finds even greater inspiration after meeting his idol, famous Disneyesque animator Osamu Tezuka. Despite his steady success, Tatsumi begins to question why Japanese comics should cater to children with cute and whimsical tales and drawings. In 1957, Tatsumi coins the term gekiga (dramatic pictures) and redefines the manga landscape by encouraging an alternative genre for adults. Realistic and disquieting, Tatsumi’s work begins to grapple with the darker aspects of life. –Cannes Film Festival
Eric Khoo, born in 1965, is a film director from Singapore. He was introduced to the world of cinema at a very early age. He attended City Art Institute in Sydney, Australia where he pursued cinematography.
Eric Khoo put Singapore on the international film map with his first feature film “Mee Pok Man” (1995), picking up prizes at Fukuoka, Pusan and Singapore. His second feature “12 Storeys” (1997) won the Federation of International Film Critics (FIPRESCI) Award and the UOB Young Cinema Award at the 10th Singapore International Festival, and the Golden Maile Award for Best Picture at the 17th Hawaii International Film Festival. More importantly “12 Storeys” was the first Singaporean film to be invited officially to participate in the 50th Cannes Film Festival (1997).
Mee Pok Man and 12 Storeys have together been screened at over 60 film festivals, held all over the world including Ivy League festivals such as Venice, Berlin and Rotterdam.
In 1998, Eric Khoo was… read more
Un incrocio miracoloso fra biografia e film a episodi, un omaggio affezionato al fumettaro Yoshihiro Tatsumi. Qualcuno lamenterà un'animazione semplicissima, ma i fumetti sono fumetti e fumetti dovrebbero restare, anche quando, come qui, si muovono sullo schermo. Bellissimo.
FNC '11 Will leave the impressions of the animation styles to the experts. The film however is a clever examination of the life/work of Yoshihiro Tatsumi mixing narrative about his life/career with recreations of some of his best gekiga work. Some of the stories work better than others cinematically but the film as a whole works very well. The weaknesses of Khoo's live action work follow him into animation.
Tatsumi's work looks interesting but does not benefit at all from the transfer to film, except for Beloved Monkey.Add in an overbearing, subpar score by Khoo's brother and the odd juxtaposition of Tatsumi's works to biography really don't flow. Of course, that is the directors fault.
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High time to round up the films at this year's Cannes Film Festival that never saw entries of their own and send them on their way. Today
An animated autobiography of genius mangaka and master of alt-anime Yoshihiro Tatsumi, adapted from his autobiography A Drifting Life: the
Updated through 5/11. Along with the trailer for Hong Sang-soo's The Day He Arrives, another's just appeared for Kim Ki-duk's Arirang. Both