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Picture of longstreth

longstreth

20May12

Very Kiarostami. Unfortunately, my copy was damaged, so I'll never know what happens in the last 19 minutes, but up until then, it wasn't bad. I'm not quite sure what new information this film brings to the table, but it was pleasant enough. The kid is funny too.

Picture of apexa

apexa

18May12

Kiarostami continues to be amazing in his innovation after so many years.

Ruia and Ben like this

Picture of Jon

Jon

14Apr12

An admirable effort/concept, but done in by its tedious repetitiveness and visual paucity. It picks up a bit towards the end, but getting through it all makes for a rather difficult sit.

Picture of Colton Bose

Colton Bose

26Mar12

Kiarostomi has created a brilliant and wholly realistic universe through the use of extremely simple means. Every moment of this film felt entirely genuine to me, and I was very deeply moved by the raw humanity on display before me.

rado likes this

Picture of Rohit

Rohit

29Sep11

Kiarostami uses the automobile to the hilt in this film on the joys, sorrows and ambitions of modern women in Iran. It tells you how you can use even a static space with two camera angles to convey a story, and that too an insightful one. Fascinating stuff!

rado likes this

Picture of Berjuan

Berjuan

2Jun11

I need to pick up on this guy's filmography soon...

Colton Bose likes this

Picture of dapose

dapose

20May11

Kiarostami manages to convey life's ups/downs and everyday problems from a rather static perspective - the dashboard of a car. And he does it really well.

Picture of Cahiers

Cahiers

17Apr11

One of the worst movies I've ever seen. It's completely formless, has nothing to say about the complicated issues of women in Iran, or women in general, or life in general. It's the anti-thesis of film, it's nothing. It barely exists in whatever shallow, superficial, non-entity, critic baiting world it's created. Dog shit has more to say about the human condition than this sub-reality show crap.

Commie Bee likes this

  • Picture of Cahiers

    Cahiers

    24Apr11

    Too much?

  • Picture of All Is Grace

    All Is Grace

    11Jul11

    Your review sucks.

  • Picture of All Is Grace

    All Is Grace

    11Jul11

    Do you even know how this film was made? Even if you don't like it, you can give 1 star or not to rate it at all; Why the hateful words?! Since when you know a lot about women's condition in Iran?

Picture of Aflwydd

Aflwydd

12Feb11

Why don't you want to lose?

Picture of comeandsee

comeandsee

30Jan11

modern masterpiece. the genius of this film lies in the simple premise, and how it captures the daily torment, faith and triumph of these peoples lives. the main character is wonderful too, i admired her a great deal and it adds a nice twist that she is a film director too. this presented the struggles of this woman in modern iran too without ever being overstated. the minimalism of this project is absolute cinema.

Picture of Mister Dob

Mister Dob

15Jun10

A subtle but never boring slice of life. An insight into a person's life and culture, sans melodrama.

Picture of All Is Grace

All Is Grace

5Mar10

One of the most unique movies I've ever seen, feels so real, and goes deep inside the society issues. Kiarostami is one of the most original living directors.

Picture of Joriah Goad

Joriah Goad

8Jul09

I'm just going to forget that Abbas Kiarostami is behind this. One of the things that I love so much about his work is the look and feel that he embeds so miraculously. This on the other hand, wouldn't have been any better if it were ten minutes, I'm a little upset actually, simply because I have been on a role with his films and have loved them all, and then this comes up and I honestly feel like I wasted my time.

Picture of Julián González Friederich

Julián González Friederich

6Dec08

El coche es un espacio, en el que se refugian, o aparecen confinados los individuos, viéndose impulsados a plantearse cuestiones existenciales y sociales.