Is there really no third option for the characters in this short film of the great Romanian director Lucian Pintilie? This is what the title says, but the characters live in world of ambiguities which is not one of easy black-and-white situations or decisions. It’s the end of the Romanian war against the Soviet Union (but not the end of the WWII yet), German and Romanian are apparently only allies, and in a few weeks they will be enemies. Two German officers stop for a lunch with a group of Romanian officers. As the story develops a pair of rare post stamps acquired in very different occasions underlines the differences between the group of officers.
The film lasts less than 40 minutes and it looks like a simple story, but it has many complex ramifications about history, about honor, about how material value translates in life and survival. Director Pintilie works beautifully with his actors, especially Victor Rebengiuc (a preferred actor of Pintilie) is impressing, the space of the close room where it all happens is used in a smart and unexpected manner, and this short film has style and deepness. Pintilie did not make a full length film for quite a few years, and while a new Romanian generation of film makers finds its way to international recognition, he is still able to do important work. He is actually the mentor and part of this new generation. —IMDb
Born in 1933 in Southern Bessarabia (part of Ukraine since the 1940s), Lucian Pintilie studied film and theatre in Bucharest. He began his directing career in theatre before turning to film. Although his films were internationally praised—Sunday at Six won The Grand Prize of the International Youth Jury in the 1966 Cannes Festival; Reenactment was presented in the official selection of Quinzaine des Réalisateurs, 1969 Cannes; Ward Six won Un Certain Regard at the 1979 Cannes Festival—Pintilie was in a continuous fight with the Romanian communist authorities. After Reenactment was banned in 1969, and his theatre production of The Inspector was banned in 1972, Pintilie was forbidden to work in theatres and had only two more films produced, the last of which—Carnival Scenes—was also banned for 10 years, to be officially released only in 1991. Pintilie was ultimately pressured by the authorities to leave Romania in 1982. For twenty years he lived and worked in France and the United States… read more