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Tetro

United States, Argentina, Spain, Italy

2009

127 Min
Color, Black and White
1.85:1
English, Spanish, French
  • Currently 3.5/5 Stars.
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DIR Francis Ford Coppola

EXEC Anahid Nazarian, Fred Roos

PROD Francis Ford Coppola

SCR Francis Ford Coppola

DP Mihai Malaimare Jr.

CAST Vincent Gallo, Alden Ehrenreich, Maribel Verdú, Klaus Maria Brandauer, Carmen Maura, Rodrigo de la Serna, Leticia Brédice, Mike Amigorena

ED Walter Murch

MUSIC Osvaldo Golijov

Cannes (Quinzaine des Réalisateurs), Transilvania (Supernova), Melbourne (International Panorama), Belfast (Closing Night)

Synopsis

The week of his 18th birthday, Bennie, who’s a waiter on a cruise ship, has a layover in Buenos Aires. He seeks out his older brother, Tetro, whom he hasn’t seen in years. Tetro, who lives with Miranda, is a burned-out case; he’s hot and cold toward his brother, introducing him as a “friend,” refusing to talk about their family, telling Bennie not to tell Miranda who their father is. Thoughts of their father cast a shadow over both brothers. Who is he, and what past has Tetro left behind? Bennie finds pages of Tetro’s unfinished novel, and he pushes both to know his own history and to become a part of his brother’s life again. What can come of Bennie’s pushing? —IMDb

Director

Original

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

Wall

Displaying 4 of 80 wall posts.
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Frankly, Mr. Shankly

4Mar13

A well-acted family drama with an outstanding score from Golijov, but let me go against the grain on the cinematography. Yes, stunning, but yet excessively good-looking sometimes (practically a Gucci's commercial). Except for it, all the rest pleased me-- specially “that” almodovarian plus/fetish. Ultimately, a very personal Coppola, which take us back to one of his finest films: the painfully underrated Rumble Fish.

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Sihaya

27Sep12

Giochi di luci, con un bianco e nero terso. Gli occhi sono l'animo dei protagonisti, illuminati da improvvisi spotlight e luccicori di ricordi. Film ben recitato e orchestrato.

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DT

17Aug12

Coppola turns his eye for visual presentation back to the evocative black-and-white of Rumble Fish, placing focus on lights, shadows, even aesthetic dichotomies over interspersed flashbacks within the narrative. Once again all interesting, but more than that it’s simply just nice, as its story centres on two brothers trying to come to terms with their strained relationship. Set amidst the passion, zeal and alegría of Latin America while preserving intimacy, honesty and charm, it ends up being quite a gorgeous rumination on family.

msmichel and Trevor Tillman like this

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Lilian Higa

28Jun12

this one has my favorite photograph direction ever. enough said.

Related Films

Fans

Displaying 5 of 803 fans.

Articles

Our roundup of essays and articles on this film.
W184

What is the 21st Century?: The Human Voice

By Ignatiy Vishnevetsky on July 13, 2009

What is the 21st Century? is the column where Ignatiy Vishnevetsky tries to find an answer to the titular question. *** Above: Alden Ehrenreich

read article
W184

Cannes 2009: "Tetro" (Coppola)

By Daniel Kasman on May 14, 2009

Tetro sees an artist coming out of his hibernation; still groggy and a little stiff in the joints, we can nonetheless recognize a welcome return

read article

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Reviews

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THE RETURN OF 'THE GODFATHER'

By Ricardo Rodrigu​es on December 11, 2010

This film, in special, has attended my expectations. ‘Tetro’ marks the return of Francis Ford Coppola to independent cinema. The film was shot in black/white which I consider a great contribution to…  read review

Gallo and Coppola's surprising comic gifts saves film

By Andrew J Hathawa​y on December 7, 2010

The much lauded black and white cinematography is stunning although derivative and at times too sharp (see early Leos Carax for Coppola’s template). Like most of Carax’s films Coppola’s suffers from…  read review

TETRO

By MR. Univers​e on May 23, 2010

This film had it’s fair share of problems before it started Matt Dillon dropped out of the lead role. Francis Ford Coopola felt the film was too close to RUMBLE FISH so he was kind of glad he dropped…  read review

Tetro

By Noslen on February 19, 2010

I can not remember exactly when I first heard instead of Vincent Gallo, but I know I’ve seen two performances in his films and a concert at Paredes de Coura festival is already many years. More specifically…  read review

Forum

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Tetro

20 posts by 14 people over 2 years ago