Introducing some innovative film techniques, Emshwiller won a Special Award at the Brussels Experimental Film Festival for this expression of internal anguish. He described the film as “The confrontation of a man and his torment. Juxtaposed against his external composure are images of a woman and lights in distortion, with tension heightened by the sounds of power saws and a heartbeat.” –IMDb
Ed Emshwiller (February 16, 1925-July 27, 1990) was a visual artist notable for illustrations of many science fiction magazine covers and for his pioneering experimental films. He usually signed his illustrations as Emsh but sometimes used the signatures Ed Emsh and Emsler.
Born in Lansing, Michigan, he graduated from the University of Michigan in 1947, and then studied at École des Beaux Arts (1949-1950) in Paris with his wife, writer Carol Emshwiller (née Fries), whom he married on August 30, 1949. He also studied at the Art Students League of New York (1950-51).
Between 1951 and 1979, Emshwiller created covers and interior illustrations for dozens of science fiction paperbacks and magazines, notably Galaxy and The Magazine of Fantasy & Science Fiction. During this time he won five Hugo Awards for Best Artist: 1953 (tied with Hannes Bok), 1960, 1961, 1962 and 1964. There is no “typical” Emsh cover. His painterly treatment for the August 1951 Galaxy prefigures later… read more
Had to watch this one twice. Great framing & composition.The heartbeat/industrial noises (a saw I think) makes the viewer have a visceral reaction to what is being shown.The serious demeanor of Mac Emshwiller juxtaposed with the soundtrack and the woman, almost spirit/demon-like in her irksome dance gives chills. Great distortion of lights at the end.Nightmarish, haunting stuff.True to its title, "seeing our death".
Intense. The chainsaws combined with the heartbeat soundtrack was surprising, certainly captures the kind of pain that manifests itself in both body and mind.