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Synopsis

The soap opera-like plot of the Warner Bros. release focuses on Mary Donnell, a naive young woman married to a bootlegger who is killed during the St. Valentine’s Day massacre. In order to support herself she takes a job as a secretary to married attorney Lloyd Rogers, who finds himself attracted to her but keeps his feelings secret out of respect for his wife. Jack Merrick, Jr., the playboy son of a wealthy client, elopes with Mary, but his disapproving father interferes and has the marriage annulled.

Soon after Mary discovers she is pregnant and decides to have the child without informing Jack, who marries Florence Carson, a woman of his own social class. She later is left crippled by an automobile accident.

When Lloyd dies, he leaves Mary the bulk of his estate, but his wife, believing Mary’s son is her husband’s illegitimate child, attempts to overturn the will.

When Jack and his father learn the boy is his, the elder Merrick institutes proceedings to have Mary declared unfit and the child removed from her custody. Unable to withstand the stress of the legal proceedings, Mary allows Jack and Florence to have the child and leaves for Europe. When Florence dies, Jack follows Mary in the hope he’ll find her and reunite her with their son. —Wikipedia

Director

Original

Edmund Goulding

Edmund Goulding (20 March 1891 – 24 December 1959) was a British film writer and director. Goulding is best remembered for directing cultured dramas and such as Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, and The Razor’s Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer.

Before moving to films, Goulding was an actor, playwright and director on the London stage.

Interviewed about his Goulding biography Edmund Goulding’s Dark Victory (2009), film historian Matthew Kennedy stated:

He not only directed many types of films, but he took on multiple functions on each set. Though he didn’t usually take credit, he co-wrote many scripts, composed incidental music, produced, even consulted on makeup, costumes, and hair styling. His… read more

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