Freelance photographer Servais (Fabio Testi) meets luckless Nadine Chevalier (Romy Schneider) an aging, world-weary, would-be movie star who thus far has only been able to find work in cheap exploitation movies. Trying to win her affection, Servais borrows the money from his underworld employers to launch a theatrical production of Richard III starring Nadine as Lady Anne. Though cold and skeptical at first, Nadine gradually falls in love with Servais, and eventually finds herself torn between him and her husband Jacques (Jacques Dutronc), to whom she feels morally obligated. Set in a world of losers and futile talents, this dark and moody drama depicts love as the only source of salvation. Memorable performances and skillful direction make this film a powerful experience.
Andrzej Zulawski was born on the territory of what was then the U.S.S.R. in a Polish family with remarkable traditions in arts and literature. After World War II, his father’s diplomatic career brought the family to France (1945-1949), Czechoslovakia (1949-1952), and finally to Poland. He studied film direction at IDHEC in Paris (1957-1959) and philosophy at both Warsaw University (1961) and Université de Paris (1962-1964).
First, he assisted the famous Polish director Andrzej Wajda during the filming of Samson (1961), Popioly (1966), and the Warsaw episode of L’Amour à Vingt Ans (1962). In 1967, Zulawski directed two short films, Piesn Triumfujacej Milosci and Pavoncello, for Polish TV.
His feature debut, Trzecia Czesc Nocy (1971), as well as those previous films were co-scripted by his father, poet Miroslaw Zulawski. The picture was well received at the Venice Film Festival and awarded as the Best Debut in its homeland, but had only limited release due to Polish censorship… read more
Jaw-droppingly good. Romy Schneider = her performance captured on film (a performance that becomes less a performance and more a deeply understood state of being). In many ways her performance is the inverse of Adjani's in Possession, and yet both are equally devastating. In sum it makes me sadder about life, sadder about being a human being, and sadder about the lives, both real and imagined, of the cast.
Almodovar may dream of making movies that are as powerful as Zulawski's, but those two aren't equal in any way.
clearly they are different. i don't see Almodovar doing a Possession like film any time soon. but he dedicated his film All About My Mother partially to Romy Schneider, citing this film specifically... so clearly he was influenced by this one. i feel structurally Almodovar borrows a lot from this film, and the theater backdrop is also a factor in All About my Mother.
Coming soon: Zulawski’s first complete retrospective in the US. Film Comment selects 32 films. Berlinale lineup? Now complete.