Academy Award winner George Clooney stars in the title role of this suspense thriller, filmed on location in Italy. Alone among assassins, Jack (played by Mr. Clooney) is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde (Thekla Reuten of “In Bruges”), is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto (Italian stage and screen veteran Paolo Bonacelli) and pursues romance with local woman Clara (Italian leading lady Violante Placido). But by stepping out of the shadows, Jack may be tempting fate.
Anton Corbijn (Dutch pronunciation: [kɔrˈbɛin]; born 20 May 1955) is a Dutch photographer, music video and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for more than a decade. Some of his works include music videos for Depeche Mode’s “Enjoy the Silence” (1990) and Nirvana’s “Heart-Shaped Box” (1993), as well as the Ian Curtis biopic Control.
Corbijn made his feature film debut with Control, a film about the life of Joy Division frontman Ian Curtis. It premiered to rave reviews at the Cannes Film Festival on 17 May 2007. The film is based on Deborah Curtis’ book Touching From a Distance about her late husband and the biography Torn Apart by Lindsay Reade (Tony Wilson’s ex-wife) and Mick Middles. Although shown outside the Palme d’Or competition, Control was the big winner of the Director’s Fortnight winning the CICAE Art &… read more
Imagine Antonioni's "L'Avventura" without the suspense, the innovations, the tempo (or beautiful lack thereof), or, indeed, anything interesting, and you have this film. Clooney is a fair actor, but this is just void. I usually like films with a bit of space in them, but this is really just void and null. Avoid. Go for Corbijn's "Control" instead if you need his films.
Editor Ronald Caputo notes that many of the articles appearing in the new issue of Senses of Cinema were first presented as papers at the Cinema
"'Bourne meets Antonioni!' is not a marketer's dream tagline," notes Mark Olsen in the Voice, and not without some degree of sympathy for
The dynamic new poster for Anton Corbijn’s The American is a clever pastiche of mid 60s action movie posters that trumpets its hipness (would
The American est un thriller étrange, réalisé par Anton Corbijn, avant tout photographe. Son film est l’anti Jason Bourne par excellence. Amateurs d’action, passez votre chemin nous voilà en plein… read review
A movie as carefully, deliberately, and finely crafted as the rifle George Clooney exquisitely creates during the movie. The film doesn’t rush and jump but rather has the courage to hold a shot until… read review
The second film by Anton Corbijn is a by-the-numbers thriller in terms of plotting and characterization. His first film “Control”, about the life and death of the rock band Joy Division, was an excellent… read review