Academy Award winner George Clooney stars in the title role of this suspense thriller, filmed on location in Italy. Alone among assassins, Jack (played by Mr. Clooney) is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde (Thekla Reuten of “In Bruges”), is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto (Italian stage and screen veteran Paolo Bonacelli) and pursues romance with local woman Clara (Italian leading lady Violante Placido). But by stepping out of the shadows, Jack may be tempting fate.
Anton Corbijn (Dutch pronunciation: [kɔrˈbɛin]; born 20 May 1955) is a Dutch photographer, music video and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for more than a decade. Some of his works include music videos for Depeche Mode’s “Enjoy the Silence” (1990) and Nirvana’s “Heart-Shaped Box” (1993), as well as the Ian Curtis biopic Control.
Corbijn made his feature film debut with Control, a film about the life of Joy Division frontman Ian Curtis. It premiered to rave reviews at the Cannes Film Festival on 17 May 2007. The film is based on Deborah Curtis’ book Touching From a Distance about her late husband and the biography Torn Apart by Lindsay Reade (Tony Wilson’s ex-wife) and Mick Middles. Although shown outside the Palme d’Or competition, Control was the big winner of the Director’s Fortnight winning the CICAE Art &… read more
Lento, como um qualquer filme dito europeu, um bom, ora, como se diz? Um filme de auteur.
Editor Ronald Caputo notes that many of the articles appearing in the new issue of Senses of Cinema were first presented as papers at the Cinema
"'Bourne meets Antonioni!' is not a marketer's dream tagline," notes Mark Olsen in the Voice, and not without some degree of sympathy for
The dynamic new poster for Anton Corbijn’s The American is a clever pastiche of mid 60s action movie posters that trumpets its hipness (would
A movie as carefully, deliberately, and finely crafted as the rifle George Clooney exquisitely creates during the movie. The film doesn’t rush and jump but rather has the courage to hold a shot until… read review
The second film by Anton Corbijn is a by-the-numbers thriller in terms of plotting and characterization. His first film “Control”, about the life and death of the rock band Joy Division, was an excellent… read review
This gets my vote for being the most misunderstood and/or most underrated movie of 2010 (after Polanski’s ‘The Ghost Writer’). This seemed to come and go in the theater faster than i could remember… read review
In some ways George Clooney’s character and the themes of this movie are the same as in Up in the Air. There are several instances of loud noises, which could be gun shots or simply a book falling… read review