Immersing the viewer in magnificent Swedish landscapes, this sober and meditative film reveals the beauty of nature and the beings that co-exist in harmony there: a Rousseauesque vision of a relationship between a human being and her environment. Ulla, the central character, relates in voiceover how it will be when it snows, but her expectations are disturbed with the arrival of a hunter, whose flashily colored clothing is out of place amidst the island’s greens and browns. Shot with a minimal crew, CalArts graduate C. W. Winter’s and photographer Anders Edström’s first fiction feature unobtrusively combines silence and the sounds of nature in contemplative sequences, sometimes adding snatches of songs about local folklore. Ultimately, the film—winner of Locarno’s Golden Leopard for Filmmaker of the Present—serves as an ode to a woman whose strength and grace are in perfect harmony with nature. —Locarno Film Festival
A month ago, Dennis Lim had a piece in the New York Times on the emergence of films "that could be said to blur or thwart or simply ignore
Photo by The Anchorage cinematographer and co-director Anders Edström. I’ve had a few lucky vacations that remind me of C.W. Winter and Anders
For people like myself (depending on what kinda mood I’m in) ‘The Anchorage’, a film I almost forgot I saw at the beginning of the year at Anthology Film Archives, is an escape. When you get so easily… read review