Brilliantly blending the borders of narrative and documentary filmmaking, artist-cum-director Clio Barnard beautifully reconstructs the fascinating true story of troubled British playwright Andrea Dunbar and her tumultuous relationship with her daughter. Working from two years of audio interviews, Barnard uses classic documentary techniques, actors, theatrical performance, and Dunbar’s own neighborhood to generate a unique cinematic feast while unraveling the truths of a dark family past. —Tribeca Film Festival
Director Clio Barnard takes an unusual approach to this documentary about the British playwright Andrea Dunbar and her troubled children. Ultimately, it's all gimmick for a tale that's not that interesting. http://eddieonfilm.blogspot.com/2011/01/that-line-blurs-flurther.html
Interesting. Certainly an unusual way to make a film and it works surprisingly well but, really, I wasn't all that engaged most of the time. The scenes from the play "The Arbor" performed in the park were pretty cool, though.
It's a harrowing rumination on family legacies and parenting first, a harrowing rumination on how your environment shapes you, and in many ways, traps you, second, and a biography third. Not as hard to watch as it sounds, mostly because the accents are awesome (I was cracking up a lot during the first half of the movie). Well, that, and it's a true, powerful story, relayed to us with verve and originality.
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When I first saw Clio Barnard’s The Arbor a year ago at the Tribeca Film Festival I thought it was hands down the best film there
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I was expecting a pleasant relaxing summery film full of flowers and Laura Ashley dresses. Instead here’s a part documentary, part acted and lip synched account of life on a tough council estate in… read review