The Art of Vision is a film that can change our whole ideas about the relationship of seeing, perception, and emotion with the preoccupations of the mind and the subconscious. The immediate effect of seeing the film for the first few times is to discover oneself infinitely more sensitive to the meanings inherent in our perceptions of the physical qualities of everyday objects. To put it bluntly, Brakhage has shown the value and meaning of real seeing. The manner in which we perceive the physical structure of the world around us determines our view of that world. This is the principle on which all great films have been based. But it has never been clearer than in The Art of Vision. —Fred Camper, from “Introduction to The Art of Vision”
James Stanley Brakhage (January 14, 1933 – March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker who is considered to be one of the most important figures in 20th century experimental film.
Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film and the use of multiple exposures. Interested in mythology and inspired by music, poetry and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality and innocence.
Brakhage’s films are often noted for their expressiveness and lyricism.
Born Robert Sanders in Kansas City, Missouri on June 14, 1933, Brakhage was adopted and renamed three weeks after his birth by Ludwig and Clara Brakhage.
As a child, Brakhage was… read more