A wonderful short film that examines a series of watercolors of the city of Porto painted by Portugese artist António Cruz. In comparing the different modes of representing and experiencing the city, Oliveira explores the different representational qualities of film and painting. —Harvard Film Archive
Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.
Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.
Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).
He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).
His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children… read more
A gorgeous dictionary of framing (how many of the shots could be paintings of different styles? And many impossible to conceive as so) & essay on the couplings between paintings, photographs & movies..What is that cinematic excess over the painting & the photo? What the animating spirit of each medium? And how firm an anchor this film is for extended meditation; so much more fertile than most criticism.
For instance the romantically desolate shacks in a painting turn into the grimy shacks of the still and then people walk out, the camera follows. Does photography love the social and the painting the personal?.. Or does photography love solitude and cinema the crowd?... And that stunning sequence where the painting of an invasion with a diegetic soundtrack turns into the calm street scene and memorial of today... I could go on and on...
Que tudo o que vier a morrer, se ergue novamente.
Esta é a relação entre um artista e a sua cidade, onde vive ou donde veio. A pintura, a fotografia, o cinema, modos… read review