Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it’s costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown’s girlfriend, Susan Lowell. –IMDb
American low-budget filmmaker Joseph H. Lewis began his long screen career editing such Republic serials as The Miracle Rider (1935) and The Undersea Kingdom (1936). Lewis was elevated to director with Courage of the West, a 1937 Universal oater that also marked the debut of crooner Bob Baker. As a director, Lewis would remain in the Western field well into the television era, earning the nickname of “Wagon Wheel Joe” because of a penchant for framing shots through the spokes of a wagon wheel. The moniker was bestowed upon him by fellow B-Western expert Oliver Drake, but unlike Drake, Lewis’ oeuvre managed to stand out in a crowded field, mainly due to careful lighting and other atmospheric touches not often considered sine qua non in low-budget filmmaking. Turning increasingly to thrillers, Lewis later directed Bela Lugosi in one of the veteran screen ghoul’s better later vehicles, Monogram’s The Invisible Ghost (1941), and even more importantly… read more
See for the lighting alone. What causes me to knock a mark off this solid piece of gritty B-Movie is that, for a genre which used its morally grey worlds to demonstrate issues of morality more poignantly than hammering it into the viewer, the character of Lt. Leonard Diamond is prevented from being the flawed hero who fights crime by irritating soapbox rants about justice out of place in this genre.
This terrific late film noir focuses on the obsessional duel between Wilde's driven cop and Conte's gangster. Both are on top form as they portray men who are not only haunted by a woman but virtually become each other's alter ego during the course of their bitter vendetta. It's raw and vicious, featuring a particularly hideous torture scene. Alongside Gun Crazy, this is probably B-movie director Lewis's best film...