When “The Dude” Lebowski is mistaken for a millionaire Lebowski, two thugs urinate on his rug to coerce him into paying a debt he knows nothing about. While attempting to gain recompense for the ruined rug from his wealthy counterpart, he accepts a one-time job with high pay-off. He enlists the help of his bowling buddy, Walter, a gun-toting Jewish-convert with anger issues. Deception leads to more trouble, and it soon seems that everyone from porn empire tycoons to nihilists want something from The Dude. –IMDb
Combining thoughtful eccentricity, wry humor, arch irony, and often brutal violence, the films of the Coen brothers have become synonymous with a style of filmmaking that pays tribute to classic American movie genres, especially film noir, while sustaining a firmly postmodern feel. Born in St. Louis Park, MN, in 1954, Joel Coen studied at New York University before moving into filmmaking in the early ‘80s. He and his younger brother began writing screenplays while Joel worked as an assistant editor on good friend Sam Raimi’s 1983 film The Evil Dead. In 1984, they made their debut with Blood Simple. Both of them wrote and edited the film (using the name Roderick Jaynes for the latter duty), while Joel took the directing credit and Ethan billed himself as the producer. It earned considerable critical acclaim and established the brothers as fresh, original talent. Their next major effort (after Crimewave, a 1985 film they wrote that was directed by Raimi), 1987’s Raising Arizona was a… read more
Born in St. Louis Park, MN, in 1957, Ethan Coen studied philosophy at Princeton University. Soon after he graduated, he and his brother began writing their first screenplays, and, in 1984, they made their debut with Blood Simple. Both of them wrote and edited the film, while Joel took the directing credit and Ethan billed himself as the producer. It earned considerable critical acclaim and established the brothers as fresh, original talent. Their next major effort (after Crimewave, a 1985 film they wrote that was directed by Sam Raimi), 1987’s Raising Arizona was a screwball comedy miles removed from the dark, violent content of their previous movie, and it won over critics and audiences alike. Their fan base growing, the Coens went on to make Miller’s Crossing (1990), a stark gangster epic with a strong performance from John Turturro, whom the brothers also used to great effect in their next film, Barton Fink (1991). Fink earned Joel a Best Director award and a Golden Palm at the 1991… read more
Amir Muhammad publishes a novel by P Ramlee, Alex Ross Perry talks about the loss video stores and Harry Crews has passed away.
As with any Coen Brothers film, The Big Lebowski relies on their exploration of the outrageous comedy and the dark impulses of human nature in a comical spin on film noir, that was styled mostly after… read review
I really can’t understand those people who always want to find a sense in things. I think the Big Lebowski is a beautiful non-sense. Maybe Coen brothers’aim wasn’t the creation of a coherent comedy… read review
No matter how many times I give it a chance, The Big Lebowski angers me beyond most films. I just really hate watching it. I think what enrages me most is that it’s not a badly made movie. I can’t… read review