“There are two kinds of men on this beach. Those who are dead and those who are about to die. So let’s get off this goddamn beach and die inland!"
Fuller's anecdotal narrative forbids the conceited philosophising of the layperson, traces of which permeate even the top tier of the genre. Instead it plays like a collection of war stories from a veteran seeking alternatively to shock and amuse, its figures imbued with equal veracity in both their warmth and detachment. As a film, it isn't amongst Fuller's very best, but its unaffected authenticity is unmatched.
One of the best war movies I have ever seen and quite possibly my all-time favorite Sam Fuller film (which is saying something). The direction is often spectacular, but what stands out to me most is Fuller's amazing script. The writing is so good, easily shifting between intense battle sequences and intimate, bittersweet moments among the comrades. Great stuff, one of the greatest films of the 1980s.
One of the best war films, Lee Marvin is magnificent. See the "Director's Cut" to see what Sam Fuller really wanted..
Though the production values may be a tad lackluster (Fuller was forced a very low budget), his trademark taut filmmaking pulls it through to be not only one of the best movies Fuller, and any else, ever made. Tense, expertly-staged battle scenes; great moments of authentic, absurd humor; and quiet scenes of understated, powerful emotion - not to mention the legendary Lee Marvin in maybe his best performance.