Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travelers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife’s fate, grieves for his lost daughter, and must play a game of chess for Allison’s life. —IMDb
Edgar George Ulmer was one of the very few genuinely creative filmmakers who, for a time, chose the world of low-budget B-films over the more opulent milieu of mainstream, high-profile A-pictures. Born in Vienna, Austria, he worked as a stage actor and set designer while studying architecture and philosophy, and later joined the company of the legendary German theatrical producer Max Reinhardt. He first visited America in connection with a Reinhardt production, and became briefly involved with Universal Pictures in the mid-‘20s. On his return to Germany he served as an assistant to filmmaker F.W. Murnau, and worked as art director on the latter’s film Sunrise, which was shot in Hollywood in 1927. Ulmer went back to Germany to co-direct Menschen am Sonntag (1929) in collaboration with Robert Siodmak. He emigrated to Hollywood in the early ‘30s, working as a writer on movies such as Tabu and as an art director. By 1933, Ulmer had been signed to Universal as… read more
Full of atmosphere and expressionistic photography - at times, things move a bit like an eerie dream/nightmare. But, as some have commented, the plot is a bit plodding, and by the time it truly feels like it is going, things end. Just for the look of the film, I enjoyed watching it, but did feel like it was a bit of an incomplete work.
The Black Cat 1934
Edgar G. Ulmer wrote and directed this horror flick that brings together the first pairing of Bela Lugosi and Boris Karloff in their careers as bogeymen and… read review