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The Blue Dahlia

United States

1946

96 Min
Black and White
1.37:1
English
  • Currently 3.4/5 Stars.
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DIR George Marshall

PROD John Houseman

SCR Raymond Chandler

DP Lionel Lindon

CAST Alan Ladd, Veronica Lake, William Bendix, Howard Da Silva, Doris Dowling, Tom Powers

ED Arthur P. Schmidt

PROD DES Hans Dreier, Walter H. Tyler

SOUND Gene Merritt, Joel Moss

Director

Original

George Marshall

George E. Marshall (December 29, 1891 – February 17, 1975) was a prolific American actor, screenwriter, producer, film and television director, active through the first six decades of movie history.

Relatively few of Marshall’s films are well-known today, with Destry Rides Again, The Sheepman, and How the West Was Won being the biggest exceptions. Marshall co-directed How the West Was Won with John Ford and Henry Hathaway, handling the railroad segment, which featured a celebrated buffalo stampede sequence. While Marshall worked on almost all kinds of films imaginable, he started his career in the early silent period doing mostly Westerns, a genre he never completely abandoned. Later in his career, he was particularly sought after for comedies. He did around half a dozen films each with Bob Hope and Jerry Lewis, and also worked with W.C. Fields, Jackie Gleason, Will Rogers and Laurel and Hardy.

For his contribution to the film industry, George Marshall has a star on the… read more

Wall

Displaying 4 wall posts.
Picture of Dave

Dave

8Jun12

The always-reliable William Bendix steals the spotlight from the famed Ladd-Lake pairing. And underrated noir, in my opinion.

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Alex

26May11

Veronica Lake is hot!

Elisa and Arian Raeisi like this

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samskeyti

7Feb11

Ce film a été réalisé à partir d'un roman inachevé de Chandler. L'histoire fut écrite au jour le jour, les comédiens ignorant quelles scènes ils devaient interpréter le lendemain. le titre du film a inspiré le surnom de l'affaire du dahlia noir, l'affaire de la mort de la mere d'ellroy.

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Daniel S.

7Apr10

**1/2 Recommended because of Raymond Chandler’s screenplay only. George Marshall’s direction is unfortunately very poor. Nonetheless, it could have been a wonderful Film Noir.

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