Tian began as an amateur photographer and as an AC at the Beijing Agricultural Film Studio. He graduated from the Beijing Film Academy in 1982, together with a cohort of Fifth Generation directors which included Chen Kaige and Zhang Yimou. One of Tian’s most renowned works is The Horse Thief: like many of his early works, it is about ethnic minorities in China, and American director Martin Scorsese named it as his favorite film of the 1980s. Tian’s work has also drawn fire from the Chinese government, especially The Blue Kite, a film about the adverse effects of Communist rule: the Hundred Flowers Movement, the Great Leap Forward and especially the Cultural Revolution. Footage of The Blue Kite was smuggled out of the country; Tian has denied complicity in the act. After a hiatus of some nine years, he returned with a critically acclaimed remake of Fei Mu’s famous film Spring in a Small Town (1948), often referred to in English as Springtime in a Small Town (2002) to differentiate it… read more
One of those insufferable 90's-era "foreign films" that revolves around some object usually associated with a color, that represents either hope or freedom in some oppressive regime. The VHS box is usually plastered with wreaths, stars and bold letters and over a picture of the main character(s) interacting with said object or relishing in happier times. Critics will praise the film's courage and austere quality.
Fifth generation masterpiece. Better than To Live and Farewell My Concubine. Highly underrated underappreciated.
The Blue Kite (Lan feng zheng) 1993 DIR Tian Zhuangzhuang SCR Xiao Mao 140 Min The only thing an artist craves more than controversy is an outright ban.