The owner of an IT firm wants to sell up. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed taking. When potential purchasers insist on negotiating with the “Boss” face to face the owner has to take on a failed actor to play the part. The actor suddenly discovers he is a pawn in a game that goes on to sorely test his (lack of) moral fibre. –IMDb
With a back-story (almost) as singular as his films, Danish director Lars von Trier was one of the most exceptional filmmakers to burst onto the international film scene in the 1990s. Unapologetically confident in his artistry and an unabashed provocateur, von Trier could kick up a fuss about his behavior, but his stylistic brio, extreme narratives, and ability with actors prevented such films as Zentropa (1991), The Kingdom (1994), Breaking the Waves (1996), and Dancer in the Dark (2000) from being eclipsed by their creator. Even as he openly sought a larger audience by making films in English, von Trier’s success helped resurrect Scandinavian cinema’s international prominence; his intense fear of flying ensured he’d never “go Hollywood.”
Raised by his radical, nudist Communist parents in an unconventional environment where, as von Trier once put it, everything was permitted except “feelings, religion and enjoyment,” von Trier blossomed into a neurotic, left-wing, movie-loving… read more
Having seen this, it's a wonder why Lars von Trier doesn't try his hand at comedy more. It's subtle, witty, and devastatingly funny.
I HAVE A NEW FAVOURITE LVT FILM IT'S OFFICIAL god why didn't he attempt farce before, he's so good at it
Back in May, that entry for Lars von Trier's Antichrist just went on and on and on. Covering the coverage during Cannes is always a kick