John Brahm (August 17, 1893 – October 13, 1982) was a film and television director possibly best known today for directing a dozen of the original Twilight Zone episodes including the now classic “Time Enough at Last”. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), the film noir The Locket (1946) with Laraine Day, Robert Mitchum, and Brian Aherne, and the Secret Sharer segment of Face to Face. He also directed the 3D horror film The Mad Magician 1954 with Vincent Price and Mary Murphy.
Brahm was born in Hamburg, Germany. He was the son of German actor Ludwig Brahm and the nephew of European theatrical impresario Otto Brahm.
John started his theatre career as a character actor. After World War I, shuttling between Vienna, Berlin and Paris, he became theatre director and was resident director for acting troupes at Deutsches Theater and the Lessing Theater, both in Berlin.
With the rise of Hitler, he first moved to England… read more
John Brahm (August 17, 1893 – October 13, 1982) was a film and television director possibly best known today for directing a dozen of the original Twilight Zone episodes including the now classic “Time Enough at Last”. His films include The Undying Monster (1942), The Lodger (1944), Hangover Square (1945), the film noir The Locket (1946) with Laraine Day, Robert Mitchum, and Brian Aherne, and the Secret Sharer segment of Face to Face. He also directed the 3D horror film The Mad Magician 1954 with Vincent Price and Mary Murphy.
Brahm was born in Hamburg, Germany. He was the son of German actor Ludwig Brahm and the nephew of European theatrical impresario Otto Brahm.
John started his theatre career as a character actor. After World War I, shuttling between Vienna, Berlin and Paris, he became theatre director and was resident director for acting troupes at Deutsches Theater and the Lessing Theater, both in Berlin.
With the rise of Hitler, he first moved to England. After working as a movie production supervisor, he got a chance to direct his first film, a remake of D.W. Griffith’s 1919 silent film, Broken Blossoms in 1936, before moving to America in 1937. The German director started in the U.S. at Columbia Pictures and eventually moved to 20th Century-Fox. He directed the ill fated Let Us Live, the true story of two men who were wrongly convicted for murder and almost executed by the Commonwealth of Massachusetts, which was embarrassed by the incident and put pressure on the studio to cancel the film. The studio made the film nonetheless, but quietly, with a small budget.
In his book, The American Cinema: Directors and Directions 1929–1968, American film historian and critic Andrew Sarris states that Brahm “hit his stride” in the 1940s with “mood drenched melodramas”, suggesting that Brahm went into artistic decline after this period. Nevertheless, Sarris further notes that Brahm did not lack work, as he made “approximately 150 TV films” during a the 1950s and 1960s, directing numerous episodes of Alfred Hitchcock Presents. Brahm’s last full-length film was Hot Rods to Hell. —wikipedia
