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Displaying 4 of 7 wall posts.
Picture of Bobby Wise

Bobby Wise

6Jun12

Love the opening of this film. It is almost avant-garde. I don't think I've ever seen newsreel footage used in such a disorienting manner in classical Hollywood cinema.

Arian Raeisi likes this

Picture of Gnosis

Gnosis

25Apr12

This is the best film of it's type; i.e. a film in which Dan Duryea's is palmfaced for the entire duration of the film.

Picture of Brotherdeacon

Brotherdeacon

10Feb12

A very good late noir with all the tropes covered. It gets the most out of it's low budget with wonderful location shooting and night photography when film stocks weren't very fast and this production had a minimum of lights at its disposal--certainly compared to now. Dan Duryea is always a great crook, and young Jane Mansfield is a surprise. A must for noir buffs by a good director, at least here--Angel Baby too.

Picture of Tony Zhou

Tony Zhou

9Aug11

To me this is one of the first student noirs. It wasn't made by intuition, but by careful study and imitation of other filmmakers (definitely Welles and Hitchcock). Later directors (like Altman and Polanski) would do this better, but sometimes I love watching a young filmmaker work through his influences and try to come out the other side. This director mostly succeeds.

Matt Reddick likes this

  • Picture of Matt Reddick

    Matt Reddick

    28Feb13

    I also appreciated his efforts to showcase his hometown area (Philly and AC) ... career looks like a nosedive, sadly.

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