A couple checks into a suite in Las Vegas. In flashbacks we see that he’s a computer whiz on the verge of becoming a dot.com millionaire, she’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions: four hours per night of erotic play, and no penetration. During the days in Vegas, they get to know each other, have fun, meet a friend of hers; at night, at least after the first night, things seem to get complicated. Is mutual attraction stirring? Will they play by their rules? Can it be about more than money? –IMDb
Born in Hong Kong and based in America, director Wayne Wang studied photography, film, TV and painting in the US before landing several directorial assignments in his homeland (these included the Chinese episodes of Robert Clouse’s “The Golden Needles” in 1974 and a popular TV show based on “All in the Family”). He returned to the US and scraped together $22,000 to complete “Chan is Missing” (1982), a hip, Zen-inspired San Francisco detective story which also carefully dissected prevailing Oriental stereotypes. This landmark independent film became a critical and commercial success for its rare, authentic slice of Asian-American life in a sometimes wildly comic narrative that straddled genres. The film remains an inspirational touchstone for Asian-American filmmakers attempting to get their voices heard in the American cinema.
Wang’s second film, “Dim Sum: A Little Bit of Heart” (1984), again centered on San Francisco’s Chinese-American community. The film playfully yet poignantly… read more